The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album
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It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set
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When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the
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It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link
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Lil John is a genius. Let’s first get that on record. His Miami Bass and Crunk work, huge club bangers and scene-stealing guest spots make him one of the most loved MCs. He’s also a super good sport, which only makes us love him more. When Chappelle sent him up with ‘AHWHUT?‘ and ‘OKAAAY‘, John
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Tierra Whack is great, and she’s shared another new track – this one is called ’27 Club’, which is a bit grim, but you’re officially allowed to start getting excited about her imminent LP. All the tunes we’ve heard from ‘WORLD WIDE WHACK’ have been forward thinking, a load of fun and a high bar
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With the internet, rolling news and 360 deals demanding so much of our attention currently, it seems there’s been a reevaluation of ambient music, new age, and pastoral jazz. Keeping that in mind, the lovely people over at Light In The Attic have reissued an absolute gem in Pete Jolly’s legendary ‘Seasons’ LP. This falls
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Kim Gordon is cool and she’s making an unholy racket with her new single ‘I’m A Man’. If you’re looking for classic Sonic Youth, we don’t think you’re going to find it here – it reminds us a little of Atari Teenage Riot, in slo-mo. Lovely stuff. There’s going to be a new LP out
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Lambrini Girls are one of the most popular grot punk bands around right now, and they have a new single out called ‘God’s Country’ which goes after the state of the place we call home, and while it’s about as subtle as a brick in the teeth, you have to admire them for not hiding
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Iron Maiden are funny aren’t they? They’re real ale metal. It’s all little England flirting with Satan rock ‘n’ roll. There’s a place for it, obviously, but did you know just how much lead singer Bruce Dickinson cares about asthma? Now, for the uninitiated, Brucie Baby is the kind of rock ‘n’ roller that a
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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