The Pop Corporation
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Yune Pinku makes some of the best house adjacent bops around right now, and she’s done a remixes for the super hot talent Rachel Chinouriri, which is a bit of a dream match-up honestly. Pinku features on a lot of our end-of-year lists and Chinouriri is someone we’re keeping an eye on, so if that’s…
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We’re still really into the fact that there’s a musical outfit called Illuminati Hotties. What a fantastic thing to have people saying in record stores and the like. The fact it is one person is even better. Anyway, she’s announced her new LP called ‘Power’ which will be out in August and there’s a new…
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Nadine Shah has confirmed that she’s NOT playing at Glastonbury this year, which isn’t particularly interesting news in of itself. However, their reasons for doing so, is. She’s said that it’s too expensive to play at as an artist. She tweeted: “The rumours are untrue. I am NOT playing @glastonbury I would have liked to…
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Confidence Man are just about the most fun group on the planet, bringing back the campness of ’90s clubland and handbag and gyrating through live shows with light-up bras and spitting blood – they really deserve to be so much bigger than they are, and honestly, they’re packing out big ol’ rooms so it all…
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How much does it cost to put an album out? Let’s assume, for the sake of this article, that you’re focusing solely on streaming and that physical format production is a luxury most independent bands can’t afford in this cost of living crisis we’re all currently in. Okay, good. Making an album probably seems incredibly…
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Candie Payne’s ‘I Wish I Could Have Loved You More’ was one of the best albums of the Noughties, melding pop with ace ’60s girl group pop and noirish spy flick moodiness. These days, Candie is making art of a different stripe, but we’ve kept playing tracks like ‘All I Need To Hear’ and the…
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if you’re in the market for some summery, retro, West Coast-ish yacht pop, you could do a lot worse than dig into the new track from Douglas A Benson. The track is called ‘On The Run’ and is taken from his forthcoming EP ‘Joys Of Growth’, which should land later in ’24. It’s going a…
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If you love those ace LPs that spearheaded electronic music in the ’60s and ’70s, you’re going to love the imminent LP from the Will Gregory Moog Ensemble. It’s a debut LP called ‘Heat Ray: The Archimedes Project’ and it has made in collaboration with the BBC National Orchestra of Wales. Apparently, it was inspired by…
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Annie-Dog hails from Ireland and has a new single out and, honestly, we’ve not ever heard anything quite like it. That’s worth writing about in itself, because it’s incredibly difficult to be original in a landscape that has an algorithm that favours familiarity, and of course, decades of music using up most of the ideas…
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We nearly put a wrong photo on this article to see if anyone was paying attention, but that’s way too needy isn’t it? Instead, we’re just going to embed the video without too much ceremony. Besides, you’ve probably already worked out whether you like James Blake or not and we’re not going to influence you…
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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