
Just because you’ve grown a little weary of one type of thing doesn’t make it automatically bad. However, hip hop has suffered a little from being introspective and melancholy, when given the state of the world, we really could do with a shed-load of in-your-face fun. So with that, thank god for ‘Nasty Dancer’ by
The YouTube ‘My Analog Journal’ is a goldmine for great music tip-offs, with a host of guest DJs simply putting ace records on in a number of lovely looking rooms on some nice kit. It’s a simple premise and all the better for it. There’s no Kids TV presenter gubbins that litters so much of

Most of us are well aware of the amazing comp/boxset etc ‘Nuggets: Original Artyfacts From The First Psychedelic Era, 1965-1968′, first out in ’72 and basically (alongside a little help from Lester Bangs’ writing) invented garage punk as a genre. The compilation was put together by Lenny Kaye (Patti Smith’s cohort) and it is rightly
Paul Hillery’s mixes over on Mixcloud are the stuff of legend if you love groovy and witchy psychedelic folk. His selections switch from dreamlike, to super chuggers, to sometimes evil sounding and such. He’s one of the best and he even did the holy grail of getting a compilation out (vinyl here, if you’re already

T-Pain is brilliant. He’s always been brilliant. He can turn his hand to almost anything and yet, there’s foolish people out there who still think he can’t sing and that autotune does all the work. T-Pain has always had the vocal chops and anyone who has seen his Tiny Desk show knows how fantastic and

Wipeout was a behemoth of a video game, which saw gamers racing anti-gravity vehicles at breakneck speed on the PlayStation. That’s fun and all but that’s not the whole story. See, anyone who remembers it and liked to have their weekends chemically altered, they knew that Wipeout had one of the most banging soundtracks of…

Any excuse to share a banger of a set (and in places, utterly undefinable and gonzo) from one of the finest Frenchmen to ever live, Mr Oizo. There’s big 4/4s, disco, pop, broken electronics, fierce edits and super crunchy synths galore. Fuckin’ magnifique!

Are you one of those people who thinks of festivals as things that belong to rock music still? Well, times have changed. From the ’90s onward, Glastonbury embraced dance music, hip hop and increasingly erred on the side of pop music. Of course, glancing at the line-up for the 2024 show, it’s not like rock…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
CONTACT: HOWDYPOPCORPSATGMAILDOTCOM