The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Look, you probably already know that Larry Levan is DJing royalty, a pioneer, a legend and all that good stuff. If you don’t, then you’re in for a treat when you Google his name and look into his history! With that, here’s a killer mix from the Paradise Garage in 1985, which Defected Records shared…
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You don’t need an essay on this one from us. Lisa is a Thai pop-rapper who you might know from Blackpink. Rosalia is the best thing to come out of Spain since tiki-taka. The pair have teamed up on a lovely slice of futuristic pop, all clattering and hooky, and while we’ll need to sit…
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We don’t know everything and daily, we stumble across things completely new to us and think “OH! THAT’S INTERESTING!” Today, is one such day with a piece of music that is almost completely alien to us, but we listened to it half a dozen times and figured it needed sharing. The artist is Leila Abdul-Rauf…
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George Harrison accidentally invented the charity concert when he did his ‘Concert For Bangladesh’, which means he is accidentally responsible for Bono singing ‘tonight thank god it’s them instead of you’ for Band Aid. Still, these are good things all told and in 1971 he got a bunch of pals together for a big show…
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It seems like there’s something of a collision between the marketing campaign led BRAT SUMMER and a genuine need for a bit of loose hedonism after years of austerity all over the world. Recreational drugs, disposable cameras, smart-trashiness, alcopops, ruining your shoes and dancing, dancing, dancing, dancing. Whether you think this has been ushered in…
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Mdou Moctar is making some seriously exciting music at the minute and there’s a new gig film they’ve shared which you need to see if you like loud rock ‘n’ roll, psychedelic music or, excuse the term but it’ll do now, world music. You know what we mean. The new thing is called ‘The Agadez…
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You might know, you might not, but Lou Reed was writing and releasing music before his years in The Velvet Underground. He was an in-house guy at Pickwick Records, trying his hand at pop, R&B and even some dance craze records. There’s a lot of fun stuff in the troves, and all interesting given that…
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We’re big fans of Fievel Is Glauque’s music – mixing psychedelia with electronics, jazz, space pop, and all manner of great record collector stuff! They have a new LP coming out, which is fantastic news – it is called ‘Rong Weicknes’ and you be able to get your paws on it in October via Fat…
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Tim Heidecker is something of a renaissance man, although he’d probably rinse you for saying something like that about him. Broadly, he’s known for being a stand-up and comedian, but he’s also prone to making music which while witty, is more sincere so don’t expect him to be doing bits. His ‘Work From Home’ is…
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Sometimes, a song title is so good that you need to just write it as the literal headline and then share the song.
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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