The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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There’s something in the lizard bit of our brain that just loves a song that sounds like it should be played late and way too loud in a dive bar somewhere. These songs don’t need to reinvent the wheel – they need to be good, honest rock ‘n’ roll, whatever stripe of rock that is.…
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Specifically, this version.
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It seems that there’s a bit of a cottage industry around Drugdealer, where anyone related to them in any way is putting out sepia-toned ’70s pop, which is obviously a good thing. Are the returns a wholesale great thing? We dunno, but it’s always worth tuning in for honestly, given the strength of the second…
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There’s been a study undertaken that could show how humans first started getting into music as a species, and we were into it first. The study suggests that Madagascan lemurs used music for a variety of purposes, which could give insight in how humans evolved into creating music, but we prefer the early stuff. Co-author…
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Look, we don’t quite know what’s happening but we’ll share the news all the same. On Brian Wilson’s Instagram page, it basically says that coming this Friday, is ‘Ding Dang’. We had a little search on Google for ‘Brian Wilson Ding Dang’, and all it came up with was a link to his website which sadly…
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Allegra Krieger is new to us, so we won’t pretend we know loads about her and just crib notes from other websites like we do. All we know is that there’s a new single out called ‘Never Arriving’ and its a kind of country tinged indie rock that sounds pretty cool. There’s been releases before,…
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There’s going to be a final album from hyper-pop trailblazer SOPHIE, three years on from their untimely death. It’ll be an eponymous affair, and there’s a new song called ‘Reason Why’ which features Kim Petras and BC Kingdom. The album will be released on September 27th, and a statement from SOPHIE’s family reads: “When we,…
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There’s always a danger with Kehlani that her brand of R&B reads too much Tumblr. That’s not necessarily a bad thing, but her seam of through-thought can occasionally focus a little heavily on who she’s making eyes at, identity and poor decision making in love and lust. It’s a common complaint of R&B at large,…
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We love the Coco & Clair Clair LP (we reviewed it here) for its hyper It Girl meanness and weird party vibe. Well, great news is that they’re back with a new single called ‘Aggy’ and they’re being all aloof and constantly online, but this time, the trap-lite beats have been replaced with a soft…
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One of the finest albums ever recorded is available after years of being hidden away in the shape of the effortlessly wonderful eponymous album from Peru’s, We All Together. Originally released in 1972, featuring some beautiful Wings covers and a load of killer original material, the LP is the greatest Beatle-inspired cuts ever recorded, with…
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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