
Let’s face it – we don’t need to write about the imminent Beyonce tour. We don’t need to mention it at all, because obviously, the Beyhive have alerts set up and publications bigger than this one, with their CEO teams and algorithm jammers, will write about it more prominently. So we’ll be honest and just
Like your country music to have at least tried acid? Well, you’re in luck, as primo psychedelic guitarist Ripley Johnson (of Wooden Shjips and Moon Duo) has a project you might like called Rose City Band. There’s a new LP due called ‘Garden Party’ (the fourth by the band in as many years) and is

We can’t quite pigeonhole the new single from singer/songwriter Lael Neale, but that’s okay. If you’re absolutely desperate for a hook, then we’re picking up some of the great pop that came out of NYC in the ’80s – kinda part punk, but not all OI! and FLOB!, rather, uptempo loftmuzik with Farfisa and cool

The Guardian have written an interesting piece called ‘Are Bands Dead?‘ Basically, it’s about the resurgence of solo acts and all that. Like we said, it’s interesting, but of course bands aren’t dead. There’s loads of good bands knocking about aren’t there? And some of them are really popular. In indie, you’ve got Wet Leg,

Nile Rodgers, still reminding us how many classic songs he wrote and produced even though everyone knows by now, is working with St Vincent and, honestly, that sounds like a marriage made in heaven. Rodgers, of course, has been having something of a resurgence this past few years, contributing to Daft Punk’s big hitters and

If you missed it, Lil Yachty has gone psychedelic. Now, we’re not talking full mid ’70s German progressive cosmic rock psychedelic, so don’t get your hopes up. However, he is spreading his wings away from robo-pop/kindergarten-trap. That’s always fun isn’t it? His first new LP in ages, he’s released ‘Let’s Start Here’ and it’s taking

When you’re singing along to a song at the top of your lungs, sometimes you don’t know what you’re singing. Sometimes you can be singing the saddest lyrics imaginable, but you’ve not realised because you’re half-cut on a bottle of rum and some floor-drugs, and it’s Friday night. Ever danced to ‘Gimme Gimme Gimme’ by

We’re not arsed if you already knew about this, because some of us didn’t. Below is a video of Nico (Velvet Underground/Warhol) playing in Preston, and that’s exciting. Nico’s time with the Velvets is well documented, but ever the Bohemian, she moved from romantic partner to country and was generally a nomad going where the

Thanks to Jonny Trunk and his ever gorgeous mailout for alerting us to this delightful clip of a very young Marcos Valle on the Andy Williams show. Of course, Marcos would move away from bossa nova and having short hair, to make a clutch of brilliant psychedelic LPs, before moving into jazz-fusion MPB and all…

There’s always a resurgence of Good Country and Americana when the USofA is in turbulent times. Lines are drawn, and Bad Country will focus on tired, conservative issues (in some cases, siding with literal baddies and idiots, becoming Cringe Edgelords: The Musical), giving the good heads something to kick against. We’ve had a ’70s country…

Ambivalence in pop, rock and everything else, is not often spoken about. And why would it? Barely summoning a feeling about something is not something you can really crow or cry about, because in it’s place, is an uninterested shrug. It’s not being above anything – it’s literally a magnolia painted wall in a flat…

The thing with The Band is that they seemed to land perfectly formed. Are there many better debut albums than ‘Music From The Big Pink’? As well as spearheading the revival of rootsy Americana, which is no mean feat in itself, to find yourself there when Dylan was called “Judas!”, Robbie Robertson lived enough for…
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