The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Rod Stewart has said that the comeback of The Faces is in a bit of a sticky situation because they’re struggling to make new tunes. Keep in mind that he’s gone on record recently as saying he’s a fan of George Ezra, that might be why – no shade to George Ezra there, but he’s
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If you’re into killer fuzz, bug-eyed psychedelic bondage music and a heavy gothic sonic assault on the senses, then you need to get to know Deaf Whip. They have a new single out called ‘Clocking Out’, and they’ve described themselves as “heavy garage four piece with synthesised nods to drone, punk and psychedelia” which slightly
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EarthGang are great – they’re about as psychedelic as hip hop gets in the current climate, mixing elastic funk with future trap, and generally, they’re making people who yearn for the times of Missy and OutKast very happy indeed. ‘Mirrorland’ is one of the great modern hip hop LPs and they’ve been releasing stuff since
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Arguably the best group to come from the Indie Sleaze period are Brazil’s CSS, who managed to manage their spontaneity with fabulous grooves and playfulness. For the first time in over a decade, they’re going to be doing a European tour called ‘It’s Been A Number Of Years’, which it has! Remember how good ‘Off
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SZA is a unique little soul and there’s usually a lot of excitement when she springs music on everyone. With that, there’s new music from her on the back of a bunch of wins at the Grammys. She teased a new song during a Mastercard commercial (get paid, we guess) and now she’s put it
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Oh, the fractured and chequered history of the mighty Sugababes. There’s been six members, and you could only really argue that four of them really count, and the puritans, three. Obviously, the holy trinity are Mutya, Keisha and Siobhàn, but Heidi’s tenure involves some of the group’s most iconic moments, even if deep in our
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BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super
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Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album
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It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set
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When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the
STOP HOARDING TUNES
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REVIEW // NONAME / SUNDIAL
One thing that you can always say about Noname is that she’s not a complacent soul. Self-analytical always, but at the same time, tired of bullshit whichever way it comes. A lot weighs on those shoulders of hers, but her personality is just as playful. There’s a lot of heaviness in the world, and Noname…
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MARCOS VALLE X ANDY WILLIAMS
Thanks to Jonny Trunk and his ever gorgeous mailout for alerting us to this delightful clip of a very young Marcos Valle on the Andy Williams show. Of course, Marcos would move away from bossa nova and having short hair, to make a clutch of brilliant psychedelic LPs, before moving into jazz-fusion MPB and all…
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RATBOYS BRING THE GOOD COUNTRY
There’s always a resurgence of Good Country and Americana when the USofA is in turbulent times. Lines are drawn, and Bad Country will focus on tired, conservative issues (in some cases, siding with literal baddies and idiots, becoming Cringe Edgelords: The Musical), giving the good heads something to kick against. We’ve had a ’70s country…
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TAYLOR SWIFT AMBIVALENCE IS OKAY
Ambivalence in pop, rock and everything else, is not often spoken about. And why would it? Barely summoning a feeling about something is not something you can really crow or cry about, because in it’s place, is an uninterested shrug. It’s not being above anything – it’s literally a magnolia painted wall in a flat…
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