The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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You probably love Thundercat already and, unless you’re some precise age that actively hates the popularity of Tame Impala because you were annoyed at all your classmates liking them when you were ranting and raving about The Cramps or something, you probably quite like a couple of Tame Impala tracks. Well, the two have teamed
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To many, Harry Belafonte is the singer of wonderful songs, such as ‘Jump In The Line (Shake Señora)’ which featured prominently in Beetlejuice. To others, he’s a civil rights activist and all-round legend. He was a well respected actor too. All of these things are fair, as we bid a very fond farewell to one
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Yes, we understand that we led with quite the headline there, but this is a wild story that is going to require some working out. We could’ve added that we think Pras Michel might be representing himself as well, just for a bit of added MENTALNESS. So, what’s going on and will we get sued
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Yuné Pinku makes really great music. Sniffs of UK Garage, clicky house, pop-bops and more all thrown into the mixing pot. It really is infectious stuff. This week, there’s a new EP due called ‘Babylon IX’ and we’re pretty excited about hearing it. That excitement has ramped up slightly with the release of a new
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It might be a bit of a stereotype to presume that vinyl-loving readers of these pages might see their toes curl up at the notion of any social media platform that requires you to take a photo of yourself, but y’know. Anyway, assuming that we might actually have some readers under the age of 35,
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We fizzed with excitement about the Gayance LP, and we’re doing it all over again as she’s teamed up with Jarreau Vandal for an absolute bop. The track is called ‘No More’ and the track is out right now – but if you want to hear it first, then keep scrolling because obviously we’ve embedded
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Dolphins are proper dirty fuckers, and with that opening gambit in mind, the Vengaboys have something to tell you. Robin Pors, a Venga himself, said that a dirty dolphin assaulted him. Like that – it wasn’t a mugging. He brushed the whole thing off as a ‘compliment’, because when you’re a Vengaboy, you are irresistible
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Remember when SBTRKT’s album came out and everyone went wild? That was fun. Well, one of the reasons was the emergence of Sampha on the LP, and on the next SBTRKT long-player, he’ll be back! They’ve reunited for the latest single off the upcoming ‘The Rat Road’, alongside George Riley, and honestly, it rollicks along
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Suede – The Smiths it’s alright to like – are reissuing their debut LP. This is to mark the 30th anniversary of the group’s eponymous album, and there’ll be extra tracks and all-sorts, which you’ll find at the foot of this article if you don’t want to read some pithy asides about them in the
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Record Store Day might feel like a bit of a crock, but it’s nice to buy LPs and for record shops, it’s an absolute vital and daft, fun day. Anyway, don’t overdo it. Don’t spend more than you have on stuff you don’t want. Don’t buy stuff just to resell it. Go late if you
STOP HOARDING TUNES
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BLK ODYSSY HAS A COOL SONG OUT
Hip hop and R&B has fallen into a small rut lately and a lot of the huge innovation we’ve seen in recent years is mildly lacking at the top end. Well, good news – there’s something new out and it doesn’t sound like it’s been dialled in! BLK ODYSSY has announced an album called ‘Diamonds…
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TINA TURNER, THE REALEST OF THE REAL
“Without Tina Turner we have no Beyonce. We have no Rihanna. We have no generation of Black women performers who transgressed all sorts of musical genres and without Tina Turner, we have no reclamation of Black woman’s sexuality in the context of rock and roll.” “Without Tina Turner, we have a new bereft in terms…
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JULIANA HATFIELD COVERS ELO
You may know Juliana Hatfield as a solo artist making fun records, you may know her from her stints in The Lemonheads or Blake Babies or Some Girls. You may know her from her tributes to Olivia Newton John and The Police. Well, she’s pay homage again with a really fun cover of ‘Don’t Bring…
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PLUNDERPHONICS // IT BELONGS TO EVERYONE
Sampling changed the way people listened to music, where familiar (and often unfamiliar) works could be re-imagined, recycled, spliced, interpolated and chewed up and turned into something all by itself. For years, the musical brain demanded that modernity meant entirely new, but post post-modernism, swathes of people were giddy at the thought of grabbing things…
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