The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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You know James Acaster from the TV and clips of him rinsing Ricky Gervais don’t you? A ball of nervous energy in a tracksuit top, famed for his Bake Off failures and his wild ride on Taskmaster. He’s a funny, smart fella. He’s also in a 40 piece collective called Temps, which sees Acaster in
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There’s nothing a music writer likes saying more than ‘toldyouso‘. Be it spotting a band before they get big and you told everyone they’d like them, and they did, or better yet, saying there’s something off about an artist for them to reveal themselves to be dicks. This is all to lead up to this
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We could have said that ‘Thrust’ by McNeal and Niles was getting reissued, but that may not mean a lot to most people. Instead, we’re telling you it has been sampled by J Dilla, because that’s a bit catchier. Either way, it’s a masterful and very, very sought after LP, so this is great news
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Let’s face it – we don’t need to write about the imminent Beyonce tour. We don’t need to mention it at all, because obviously, the Beyhive have alerts set up and publications bigger than this one, with their CEO teams and algorithm jammers, will write about it more prominently. So we’ll be honest and just
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The best cartoon sitcom of all time, King of the Hill, is coming back. Now, you may have thought ‘hang on – isn’t The Simpson’s the greatest?‘ but we said ‘best‘, so suck it up. It’s official and everything that Hank Hill & Co will be back on our screens, and it will be getting
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Like your country music to have at least tried acid? Well, you’re in luck, as primo psychedelic guitarist Ripley Johnson (of Wooden Shjips and Moon Duo) has a project you might like called Rose City Band. There’s a new LP due called ‘Garden Party’ (the fourth by the band in as many years) and is
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We can’t quite pigeonhole the new single from singer/songwriter Lael Neale, but that’s okay. If you’re absolutely desperate for a hook, then we’re picking up some of the great pop that came out of NYC in the ’80s – kinda part punk, but not all OI! and FLOB!, rather, uptempo loftmuzik with Farfisa and cool
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The Guardian have written an interesting piece called ‘Are Bands Dead?‘ Basically, it’s about the resurgence of solo acts and all that. Like we said, it’s interesting, but of course bands aren’t dead. There’s loads of good bands knocking about aren’t there? And some of them are really popular. In indie, you’ve got Wet Leg,
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Nile Rodgers, still reminding us how many classic songs he wrote and produced even though everyone knows by now, is working with St Vincent and, honestly, that sounds like a marriage made in heaven. Rodgers, of course, has been having something of a resurgence this past few years, contributing to Daft Punk’s big hitters and
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If you missed it, Lil Yachty has gone psychedelic. Now, we’re not talking full mid ’70s German progressive cosmic rock psychedelic, so don’t get your hopes up. However, he is spreading his wings away from robo-pop/kindergarten-trap. That’s always fun isn’t it? His first new LP in ages, he’s released ‘Let’s Start Here’ and it’s taking
STOP HOARDING TUNES
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BLK ODYSSY HAS A COOL SONG OUT
Hip hop and R&B has fallen into a small rut lately and a lot of the huge innovation we’ve seen in recent years is mildly lacking at the top end. Well, good news – there’s something new out and it doesn’t sound like it’s been dialled in! BLK ODYSSY has announced an album called ‘Diamonds…
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TINA TURNER, THE REALEST OF THE REAL
“Without Tina Turner we have no Beyonce. We have no Rihanna. We have no generation of Black women performers who transgressed all sorts of musical genres and without Tina Turner, we have no reclamation of Black woman’s sexuality in the context of rock and roll.” “Without Tina Turner, we have a new bereft in terms…
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JULIANA HATFIELD COVERS ELO
You may know Juliana Hatfield as a solo artist making fun records, you may know her from her stints in The Lemonheads or Blake Babies or Some Girls. You may know her from her tributes to Olivia Newton John and The Police. Well, she’s pay homage again with a really fun cover of ‘Don’t Bring…
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PLUNDERPHONICS // IT BELONGS TO EVERYONE
Sampling changed the way people listened to music, where familiar (and often unfamiliar) works could be re-imagined, recycled, spliced, interpolated and chewed up and turned into something all by itself. For years, the musical brain demanded that modernity meant entirely new, but post post-modernism, swathes of people were giddy at the thought of grabbing things…
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