The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Frank Farian’s impact on pop music is so enormous, it’s hard to fully comprehend it’s scope. And yet, Farian is not a household name despite being responsible for over 850 million record sales. Born in post-war Germany, Farian had a go at his own pop career, covering ‘Mr Pitiful’ and landing a hit with a
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Tierra Whack is ace, and so it’s ace that she’s announced an album we can all listen to! It’s the first long player we’ve had since her first which was a good few years ago now. This new one is called ‘World Wide Whack’, which is a fine title for an LP we think! She’s
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When it comes to music from the 1960s, there’s a wealth of artists that are mentioned, but not nearly enough, is praise for perhaps the greatest girl group of them all – the Shangri Las. Rebellious, street-tuff, but importantly, emotional and spoke of the realities of being young women. The talk of the shock of
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Karriem Riggins and Madlib are a bit of a dreamteam, and they’re releasing ‘Massamba Afundance’, which is the second single from their upcoming Jahari Massamba Unit LP, album ‘YHWH is LOVE’ which is out March 1st. It’s a groovy, jazzy, percussive affair. You’ll like it if you like either of the aforementioned names. We do. It sounds very record collectory. In
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Hailing from Brooklyn, TOLEDO (all caps) have been making fun, grotty bedroom pop for a bit now, and their new song is pretty cool, if you’re in the market for something pretty cool. The new song is called ‘Lindo Lindo’ and we’re really into the plasticine artwork, that you can see on the YouTube video
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Hatebeak are a thrash metal band that have a parrot for their lead singer. Of course it randomly entered the ol’ brain putty.
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The High Llamas are ace and it’s lovely to have them back. They’ve got a new song called ‘Toriafan’, which is different enough from the old stuff to make it worth your while, but also containing that High Llamas magic of years past. Sean O’Hagan, who basically is the band, sez: “The song is about
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Brazil has a rich heritage of musical inventiveness, giving the world the languid sophistication of Bossa Nova and the erupting joy of Samba. Of course, through the ‘60s and ‘70s, in the face of a brutal, military dictatorship, Brazilian intellectuals and the youth forged an artistic path through Cinema Novo and now famous Tropicalia music
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Country music has always got a raw deal for being racist hick music, but that’s usually from the worst kind of person who hasn’t listened to a lick of country music in their life. Fact is, it’s a genre as enduring as any other, and as broad a church as you’ll find anywhere. That said,
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Good news power pop fans! We have news that Dent May is releasing a new album called ‘What’s For Breakfast?’. That’s out in March and it should be a total winner based on his previous outings! Sugary sweet melodies, big pianos and choruses – we’ve loved his stuff and ‘Late Checkout’ is a massive favourite!
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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