
Blur announced some massive Wembley gigs and that was that, right? Wrong. They have surprised everyone by announcing a new album! It’s called The Ballad of Darren and is out July 21 via Parlophone. Their first since ‘The Magic Whip’. And there’s a new song too, called ‘The Narcissist.’ Damon Albarn: “This is an aftershock record, reflection and…

Donald Trump’s use of ‘YMCA’ (and to a lesser degree, ‘Macho Man’) by the Village People has been a curious thing. For someone who is, and represents everything virulently homophobic and a whole other bunch of phobics in the US, it’s particularly strange that he’d plump for a song that is not only very camp,…

You’ve invariably picked up a Beatle LP, seen that famous green apple, got an emorous sense of well-being, and got on with your day (unless you’re one of those terrible hipsters who think it’s fashionable to hate The Beatles – you do you, boo). Anyway, the famous split apple across two sides of a Beatle…

NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
CONTACT: HOWDYPOPCORPSATGMAILDOTCOM