
The new radio show of ours – Free Range – is out. Music from all over the globe as ever, with new music from Panda Bear, Hayley Williams’ granddad, Everything Is Recorded, Vulfmon, and loads more. There’s a tribute to dear Marianne Faithfull too, as well as the usual shenanigans with a dreadful AI co-host.

Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,

When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance

Self Esteem is back with a new single called ‘Focus is Power’, and it’s all very uplifting and self-helpy, and honestly, with the level of devoted fanbase she’s got, they’ll probably lap this up. She’s good people, so that’s nice. There’s a new LP due called ‘A Complicated Woman’ with very striking artwork (which you

The Pill don’t like mullets. They’re done. They’re cooked. Their new single is called ‘Money Mullet’ and is about this fact. They’re another chaotic punkish group from the Isle of Wight (there’s something afoot down there, clearly) and it reminds us of the kind of indie-punk that was a mainstay in the ’90s, causing chaos in

Kneecap aren’t mucking around and are back with a new single called ‘Liars Tale’, taking potshots at Kier Starmer in the process. The track is from forthcoming LP ‘FENIAN’, which will land on April 24th. In the track, you’ll hear: “Fuck Keir Starmer, Netanyahu’s bitch and genocide harmer” adding they’ve “never seen a cunt so boring.”…

Post Punk always had a dog in the fight. That was always kinda the point, right? From Gang Of Four’s leftie funk, to The Fall’s derelict shopping precincts and alcoholic bookwormery, to Siouxsie’s genuinely otherness, you always felt it was bands with some skin in the game. While punk could often feel like middle class tourists…

Record collectors and music nerds have been excitedly sharing Robert Lester Folsom’s ‘April Suzanne’ with each other thanks to a reappraisal of a song that defines Loner Folk as a genre. He recorded his album ‘Music and Dreams’ in 1976, and in 2010, Mexican Summer reissued it and his stature grew further. Since then, there’s…

The precarious nature of live music venues at the moment, is not to be underestimated. Of course, live music will always exist by hook or by crook, but why does it have to be so difficult for venues? With that, the Music Venue Trust have shared their annual report, which shows how hard 2025 was.…
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