
Look, it’s not every day you get to write that as a headline, but when you see it as a song title like we did, you’re compelled to find out more. What we were faced with was Elita’s chaotic song that combines cutesy dream pop with shrieking industrialism. Elita is apparently an ‘Instagram model’, but

We wrote a glowing review of Rebecca Black’s last album. In one of the finest comebacks in pop, she went from being a reviled meme while a young girl performing the rather wonky ‘Friday’ (which honestly, sounds quite charming in the current climate) to making some of the fiercest, funnest pop on the planet. While

‘Try Me’ by Dej Loaf was one of the best underground hip hop smashes when it was released back in 2014, and other hits followed. However, Dej kinda vanished for a while, quietly slipping away and presumably recalibrating. It seemed that, for all intents and purposes, she was done with The Industry. Well, lately, she’s

Kneecap aren’t mucking around and are back with a new single called ‘Liars Tale’, taking potshots at Kier Starmer in the process. The track is from forthcoming LP ‘FENIAN’, which will land on April 24th. In the track, you’ll hear: “Fuck Keir Starmer, Netanyahu’s bitch and genocide harmer” adding they’ve “never seen a cunt so boring.”…

Post Punk always had a dog in the fight. That was always kinda the point, right? From Gang Of Four’s leftie funk, to The Fall’s derelict shopping precincts and alcoholic bookwormery, to Siouxsie’s genuinely otherness, you always felt it was bands with some skin in the game. While punk could often feel like middle class tourists…

Record collectors and music nerds have been excitedly sharing Robert Lester Folsom’s ‘April Suzanne’ with each other thanks to a reappraisal of a song that defines Loner Folk as a genre. He recorded his album ‘Music and Dreams’ in 1976, and in 2010, Mexican Summer reissued it and his stature grew further. Since then, there’s…

The precarious nature of live music venues at the moment, is not to be underestimated. Of course, live music will always exist by hook or by crook, but why does it have to be so difficult for venues? With that, the Music Venue Trust have shared their annual report, which shows how hard 2025 was.…
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