The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hey! We have a new radio show out! It features music from all corners of the world, including something from the Fonteyn and Pat’s Soundhouse we’ve raved about recently, as well as the peerless Dina Ögon, and the new one from The Lemon Twigs. And there’s stuff from Lebanon, Turkey and more! Get stuck in!
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There’s a lot of videos online geeking out about obscure synths, but few are as fun as this one about the cutest thing you ever did see – the Casio ‘Rapman’. A video made with a lot of love, filled with clips and the aforementioned keyboard which had a scratch wheel, hip hop beats and
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Hey! Are you a fan of Caroline Polachek? Are you a fan of Weyes Blood? We’ve got some good news for you in that case, because the two have teamed up for a new version of the song ‘Butterfly Net’ and it’s really very nice. This redo will appear on a deluxe version of Polachek’s
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Many bands aim for Pet Sounds when they’re trying to make ambitious pop, but a lot of groups miss out on the pure, inventive, playful joy when they’re channelling Brian Wilson, Curt Boettcher & Co. There’s a shed pop, ramshackle feeling to when these things work best, like someone’s tripped over a box of classroom
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If you’re a fan of Portishead and Beth Gibbons, you won’t need much in the way of convincing to listen to her new single. If you do, you’ll be thrilled to know it’s great! There’s no point us reviewing it to tease you. Just press play already.
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A Tory MP has attacked the whole of Drill music, because she thinks it is the reason that young people carry knives. Nickie Aiken says there’s a “direct link” and wants the government to look at record labels that release music that is found “celebrating gang culture.” At the House of Commons, the Cities of
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Never mind Tay Tay announcing a new LP – we can ignored that as everyone has already talked it to death already. We’re more interested in the imminent music from the mighty Kacey Musgraves. She’s been making a slow-melting psychedelic country music since her utterly fabulous ‘Golden Hour’ album (yes, that wasn’t her debut, but
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Look, we were all set to write and long love letter to Fonteyn’s utterly perfect LP ‘Trip The Light Fantastic’, even though it’s not a new release, because it really is one of the most wonderful records you’re likely to hear. The reason we were hesitating is purely selfish, and that was because we didn’t
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As well you know – John Cage is a little bugger. One of his most famous compositions is a silent piece, but another that we’re mildly obsessed by is called ‘As Slow As Possible’ – and that’s because it’s a piece that, on completion, it will have been performed for 639 years. Yesterday, the piece
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We’ve talked about our love for Dina Ögon at length before, and now there’s a new LP to talk about, and that’s the salve we needed to kick off 2024’s first new release review. Again, we find the band in groovy, sophisticated form, melting psychedelic soul, Balearic, dream pop, and something so uniquely their own,
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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