The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Most musicians fall off eventually, don’t they? And so, to Pharrell Williams who was once a prince amongst men, and then starred in a super dodgy Robin Thicke video, did some gigs that were literal fundraisers for the IDF, and now perhaps worst of all, collaborating with Mumford & Sons on a new song called
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There’s no money in writing about music, and that seems to be a sad fact of the present day. In fact, there’s been no money in it for years, which is a shame as music criticism and opinion struggles to gain a foothold in a period where, honestly, most fans are waiting for marquee releases
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Playboi Carti has a new song out called ‘EvilJ0rdan’, on the back of some pretty unsavoury stuff. He appeared with Kanye while he was wearing his Klan hood, on the back of an allegation that he’d choked and assaulted his pregnant girlfriend. The track is below and contains lyrics like “monkey nuts, hold me, baby”
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A website asked, because of her all conquering popularity, if Taylor Swift is a genre all to herself now. No, of course she isn’t. Don’t be ridiculous.
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Akini Jing is making some seriously good future pop and you need to get on it right now. New LP is out called ‘VILLAIN’ and after writing for other acts, they’re now keeping the good stuff for themselves. Cyborg-ish, forward thinking music that’s crucially fun and catchy too. New track, ‘Call Me Shadow’, is flawless stuff,
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The thing with Old Heads is that they can’t help but slate stuff they think is new, even though it’s kinda old hat now. Look at any YouTube comment section, and there they are, saying Justin Bieber isn’t good, even though he’s like, thirty years old now or something. Autotune is bad, and new hip
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The early 2000s is when Grime really popped off, and that was over 20 years ago. So yes, throwback is entirely appropriate for the new banger from Dizzee Rascal, JME and D Double E. The new track is a thronker of a thing, and called ‘What You Know About That’. It’s from Dizzee’s imminent ‘Don’t
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Shoegaze making a comeback was probably a bit of a pleasant surprise for some of the older heads, as there was a period where it was cripplingly unfashionable. However, MBV got back together and did some shows and destroyed everyone’s earholes, and the young indie fans got lost in the wash of distortion and reverb
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The hotshot from Puerto Rico, Young Miko, has teamed up with Argentinian producer Bizarrap to make an early 2024 banger! It’s not got a catchy name, but you’re going to enjoy it. It’s called ‘Young Miko: Bzrp Music Sessions, Vol. 58’. Hardly rolls off the tongue, does it? Now, this is melodic and the flow
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Listen, we love a film about a musician but we know they’re not all good. We’ll watch them regardless, because we’re dorks like that. We’re reserving judgement until we’ve seen the whole thing, but there’s a new biopic about Amy Winehouse, but initially, it feels a bit weird. It’s called ‘Back To Black’ (they chickened
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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