
Music is a funny ol’ business, and in the days of streaming, something interesting has happened. Thanks to algorithmic sentiments, it feels like it’s never been harder for smaller artists to reach an audience. Radio play is decided by committees and focus groups, which leaves us with a trace amount of DJs playing whatever they

Well, Spotify have decided the way to fix the broken royalties model is to stop paying small bands. Now, that’s not how they’ll be spinning it, but it’s the reality of the situation. See, Spotify have a problem with ‘noise’ tracks and those generating plays by making ‘non music’. So, to fix that, they’re going

The Chemical Brothers are saying ‘Goodbye’. Not forever, mind you. It’s the name of their new single and as ever, it’s got a really fancy, psychedelic video. They always have ace visuals don’t they? If you’ve seen them live recently, your eyeballs are probably still fizzing like Alka Seltzer in soup. Great craic. There’s also an

Mildlife are an Australian band designed for dancing too. However, it’s also very much music of the head too, as they’ve been dubbed variously as ‘psychedelic jazz fusion’ and ‘prog disco’. If both of those phrases gave you a bit of the ick, don’t worry – this track you’re about to hear is cool, cool shit.

For so many years, library music was only a thing that tapped people’s toes if they were absentmindedly watching TV, as it soundtracked incidental moments on shows and whatnot. However, nerds started valuing the complex pop-jazz moments, the ambient segues, and more. Soon enough, library music was having a renaissance. Matt Berry (who seems to

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…

If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…

To say we’re not fans of The Smiths would be something of an understatement. Seeing as fans of the group fail to take the hint and keep proselytising about them, it might be time to see what the actual deal is. Of course, these records have been listened to in the past, but in the…

Welcome to 2026, and let us start the year with some new music, as tempted as we were to start the new year off with some snark. Let’s be nice before we get to saying anything salty about anyone, right? We kick off with a TDE love-in, as Doechii and SZA team up on an…
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