The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

  • G-A-Y WAVES BYE TO SOHO

    Nightlife is changing in the UK, and not for the better. Everything being more expensive is hurting businesses and customers alike, resulting in fewer people wanting to go out, and ultimately, it’s our sense of community and literal togetherness is lost. Another legend is closing their doors as G-A-Y in Soho have said that it

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  • REVIEW / TAYLOR SWIFT / THE LIFE OF A SHOWGIRL

    When you’re fully in the lore of standom, every utterance from your favourite artist is either an in-joke, or breadcrumbs to follow for some deeper meaning. And that’s where we’re at with the stratospherically successful Taylor Swift who, in terms of ticket sales and hit records, can basically do no wrong. However, what if you’re

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  • ICE VS SUPER BOWL

    If you thought the response from White America was bad after Kendrick’s Super Bowl halftime show, just wait until Bad Bunny does his set at the next one in February. Of course, Bad Bunny announced a world tour, and featured no shows in mainland USA, and has said that – rightly – he’d fear for

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  • COOL CHET BAKER CLIP

    Chet Baker’s gentle jazz has endured all these years because it still sounds so cool, so smart, and a melancholy salve in chaotic times. With that, we’d like to share this clip from 1964, where Baker and his band offer a superb reading of ‘Time After Time’. You’ll notice Chet has a prominent tooth missing.

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  • TWO NEW MAGDALENA BAY SONGS

    Magdalena Bay’s ‘Imaginal Disk’ taught po-faced indie kids that pop music was cool again, and mercifully, the album was an absolute treat for anyone who listened to it, existing pop fan or otherwise. Great news then, that the duo are back with a brace of new songs. The first is called ‘Second Sleep’, the second

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  • SUPER FURRIES ARE BACK

    Forget the comebacks of Blur, Suede, Oasis et al – the greatest rock group of the ’90s (and beyond) are coming back – it’s SUPER FURRY ANIMAL TIME! There’s going to be gigs and fizzy solos, head-melting synths and everything you love about SFA! There’ll also be a reissue of Love Kraft too, which is

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  • HANNAH JADAGU SYNTHY SOUL

    Hannah Jadagu’s a new name to us, but is signed to Sub Pop, which is usually a sign of quality enough to be checking out. Hannah has a new LP coming out soon called ‘Describe’, and you can hear a great new song from it called ‘Gimme Time’, which is an ear-wormy, synthy, soulful thing

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  • KNEECAP VS THE STATE

    It’s a bad look when you’re recognising Palestine as a state one minute, but overseeing a system of law that’s trying someone who has been a vocal champion of that same place and the people within it. That’s what’s going down with the UK government and various politicians, who are looking at the terror charges

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  • REVIEW / ROCHELLE JORDAN /THROUGH THE WALL

    House music is, for the most part, all about the hypnotic swing and MDMA enhancing repetitiveness, maybe with a little vocal hook to keep you singing along. Sometimes however, when House is given the due care and attention it deserves, it can sound like the most expensive thing in the world, with luxurious, modern production,

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  • REDVEIL NEW ONE IS GREAT

    The trap sound has, regrettably, started sounding a bit old hat, leaving young rappers looking elsewhere for inspo. And so, to Redveil, who has a new one out which is a swirly, classic soul sampling track which reminds us of cool Stones Throw stuff from the early ’00s and an echo of Dilla too. A

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STOP HOARDING TUNES


  • VIDEO ESSAY: WIPEOUT’S RAVE SOUNDTRACK

    Wipeout was a behemoth of a video game, which saw gamers racing anti-gravity vehicles at breakneck speed on the PlayStation. That’s fun and all but that’s not the whole story. See, anyone who remembers it and liked to have their weekends chemically altered, they knew that Wipeout had one of the most banging soundtracks of…

  • CELEBRATE THE FRENCH FASH FAILURE WITH THIS MR OIZO SET

    Any excuse to share a banger of a set (and in places, utterly undefinable and gonzo) from one of the finest Frenchmen to ever live, Mr Oizo. There’s big 4/4s, disco, pop, broken electronics, fierce edits and super crunchy synths galore. Fuckin’ magnifique!

  • IS THERE NOT ENOUGH ROCK FOR GLASTONBURY?

    Are you one of those people who thinks of festivals as things that belong to rock music still? Well, times have changed. From the ’90s onward, Glastonbury embraced dance music, hip hop and increasingly erred on the side of pop music. Of course, glancing at the line-up for the 2024 show, it’s not like rock…

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