
We wanted to write something about this Whole Thing with Roisin Murphy, but didn’t get much further than “why can’t some people just shut their mouths about other communities, especially ones who loved them so much?” Well, we just watched a very sensitive and well thought out video essay from The Last Mixed Tape, which

There’s a certain twang in alternative rock that really works the gears of music nerds. You look at Pavement, Television et al, and you find that the discordant guitars aren’t simply playing out of key, but makes you feel a bit smarter. It’s a cunning trick. Well, we got that feeling from the new song

Hello there. We remembered that listeners of our related radio show – FREE RANGE – might like to read the tracklisting for the show, instead of just listening to the words being pronounced badly throughout it. It’s the last show of the year before the round-up of 2025’s best music, so the last time where

He’s a long way from his ‘Cartel’ days is Murkage Dave, and it’s been great to see his creative expand upwards and outwards. Genre-hopping, confessional and honest, he’s been releasing his best work since going solo. And there’s a new single called ‘Swordfight In A Chicken Shop’, and there’s a lyric video with it, so

For people of a certain age, it’s always bad news when the things of their youth become ‘retro’. However, with that, comes an appreciation of the things we loved from the past. As subscription fatigue takes hold with the global youth, the Wild West of the old internet looks appealing once more. The premise of

Wipeout was a behemoth of a video game, which saw gamers racing anti-gravity vehicles at breakneck speed on the PlayStation. That’s fun and all but that’s not the whole story. See, anyone who remembers it and liked to have their weekends chemically altered, they knew that Wipeout had one of the most banging soundtracks of…

Any excuse to share a banger of a set (and in places, utterly undefinable and gonzo) from one of the finest Frenchmen to ever live, Mr Oizo. There’s big 4/4s, disco, pop, broken electronics, fierce edits and super crunchy synths galore. Fuckin’ magnifique!

Are you one of those people who thinks of festivals as things that belong to rock music still? Well, times have changed. From the ’90s onward, Glastonbury embraced dance music, hip hop and increasingly erred on the side of pop music. Of course, glancing at the line-up for the 2024 show, it’s not like rock…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
CONTACT: HOWDYPOPCORPSATGMAILDOTCOM