The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

  • REDVEIL NEW ONE IS GREAT

    The trap sound has, regrettably, started sounding a bit old hat, leaving young rappers looking elsewhere for inspo. And so, to Redveil, who has a new one out which is a swirly, classic soul sampling track which reminds us of cool Stones Throw stuff from the early ’00s and an echo of Dilla too. A

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  • INFINITE COLES, GHOSTFACE, HOT SHIT

    You may or may not have heard of Infinite Coles, but you’ll have heard of their dad. Coles is the child of the Wu Tang’s Ghostface Killah, and they’ve dropped new music which address the relationship between the two. Coles is gay and it seems there’s tension between the two, and mercifully for us music

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  • DANCE MADONNA IS COMING BACK

    Madonna is returning to dance music, as it has been announced that she’s returning to Warner Records, and notably, coming at us with ‘Confessions Of A Dance Floor Part 2’, which should be out in 2026. Madonna and dance music is a marriage made in heaven, and if she’s going to help bring back French house

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  • PORTISHEAD FOR PALESTINE

    Brian Eno’s Together for Palestine benefit played out at London’s Wembley Arena, and sincerely, the whole thing felt very similar to the rallies and shows that called for the release of Nelson Mandela during South Africa’s apartheid. During the gathering, there were a number of powerful speakers and performances, and after the show, Massive Attack announced they

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  • CHARLATANS X MGMT

    The Charlatans have always been billed as ‘survivors’, which is fair but belies the group’s ability to shift with the times. While a lot of groups quickly (and understandably) fall into nostalgia, The Charlatans insatiable need to keep their ears open has seen them endure. So with that, a new LP is on the horizon,

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  • PIRACY IS BACK

    There’s a new maxim doing the rounds which, once you read it, you can’t really unsee it, and points to why piracy is back. “If streaming isn’t ownership, then piracy isn’t theft.” Piracy went away for a while, with Spotify and Netflix seemingly being the two silver bullets that solved the problem of stealing content.

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  • MALIBU SOUNDSCAPE

    Such is the music created by French producer Malibu, that critics get all poetic trying to capture the magic of her music. You’ll hear ‘ethereal’ and the like, because Malibu doesn’t make conventional music – but it sure is gorgeous. Malibu has announced her debut LP which will go by the name of ‘Vanities’, and

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  • THUNDERCAT + REMI WOLF

    When you see Thundercat paired up with a popstar, you might assume it’s going to be a slinky R&B number with a rubbery bassline. Not so. Thundercat has teamed up with Remi Wolf for an absolutely batshit piece of jazz fusion that’s… and this is no surprise really… absolutely irresistible. Who else is this well

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  • WE LIKE STELLA DONNELLY

    We haven’t heard of Stella Donnelly before, but it kinda doesn’t matter when you find someone, as long as you find ’em, right? And we tripped over this cute new video by Stella thanks to the YouTube algorithm. Algorithms – they’re useful occasionally, irritatingly. The track is called ‘Feel it Change’ and available everywhere you

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  • STYLE COUNCIL LIMITED VINYL

    There’s been something of a reappraisal of the Style Council over the years, which has been really nice to see. Paul Weller’s post-Jam output is up there with his best work, there’s no doubt about that. With that, Universal Music are going to release some limited edition records, namely with a series of three limited

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STOP HOARDING TUNES


  • THERE’S NEW CAN THINGS TO HEAR

    Everyone likes Can. They’re ace aren’t they? Well, Mute are releasing some live albums of the great German group, and the latest is Can Live in Aston 1977, and that’s out in May. Recorded around the time of ‘Saw Delight’, this line-up is the one with Irmin Schmidt, Jaki Liebezeit, Michael Karoli, Holger Czukay and…

  • ONLINE DJ SETS, WHO GETS PAID + TWITCH

    DJs have been looking online to promote their sets for a while now, and at each turn, there’s is always the sticky problem of getting paid. Of course, in clubs and bars, DJs sling out other people’s music and there’s a tacit understanding between all parties that effectively, it’s free promotion for the artist and…

  • WHAT WE LEARNED FROM GRIMES TRAINWRECK DJ SET

    For those who have seen Grimes horror show of a DJ set at Coachella and have been hating on her for a while – enjoy this moment – you got what you wanted at long last. That may seem passive aggressive, but it isn’t. See, one of the unfortunate knock-on effects of the automation of…

  • NEW TINASHE IS GOOD

    There is something particularly satisfying seeing an artist do well after shrugging off previous mismanagement. This was the case with Tinashe who was being pigeonholed by old bosses and being thrown toward directions and collaborations that, if we’re being kind, we’re ideal. Tinashe has always had her own independent spirit and early stuff excited R&B…

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