The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

  • LENNON LETTER TO CLAPTON TO FORM BAND

    It can be fun thinking about alternate realities, where a one decision turned into another. In this instance, it’s John Lennon and Eric Clapton forming a band after The Beatles broke up. Jeez, that would have been one toxic set-up, right? Well, a draft copy of a letter written by Lennon in 1971 to Clapton

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  • CRITICISING BAND AID IS… WAIT… WOKE NOW?

    There’s going to be a new version of Band Aid’s ‘Do They Know It’s Christmas?’ out this year and y’know, it’s a song that’s done a lot of good, even if it isn’t a perfect thing. There’s a lot to be said about it, the narrative of the lyrics, how much good is has actually

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  • DRAKE WON’T ACCEPT DEFEAT SO HE’S GOT THE LAWYERS OUT

    Rap beefs are often ugly affairs, but by and large, no-one acts like a total baby. Sure, people may wave the white flag with their tail between their legs, but they don’t snitch about it. However, not all rappers are Drake who, while still dizzyingly popular (don’t doubt that), is really taking this particular Kendrick

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  • BRIGITTE CALLS ME INDUSTRY PLANT?

    Look, no-one likes to besmirch anyone’s hard work, but when a band has a stratospheric rise and a bunch of massive support gigs with next to no information on them and their rise, in 2024, people are going to get suspicious. So, just like those awful podcasts that hur-de-hur-hur and say “look man, we’re just

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  • JIMMY SOMMERVILLE / THE PEOPLE’S CHAMP

    Anyone who knows anything about Jimmy Sommerville knows that he’s The People’s Champ. Always on the right side of history, and just so happens to be the writer of one of the most vital and important songs in pop history – ‘Smalltown Boy’. The song has found itself in a sticky place by people acting

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  • REVIEW / KENDRICK LAMAR / GNX

    After the absolutely breathtaking spectacle and culture event of the Kendrick/Drake feud, King Kenny wasn’t quite done. We knew he was planning a Super Bowl Halftime show, which honestly, isn’t likely to be half as good as his Pop Out show back in June where he invited half of Los Angeles on stage with him

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  • REVIEW / JEFF PARKER / THE WAY OUT OF EASY

    Look, if you’re the kind of bozo that turns their nose up at jazz, look away now. Jeff Parker is a serious musician who likes to play. Now, you might be thinking of overtly worthy music that is meant to challenge and stimulate and all that – and while Parker is no slouch, there is

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  • DESERT ROCK FROM DAX RIGGS

    While we don’t profess to be experts in the ways of desert rock, and worry that we might be typing out ‘dessert rock’ by accident every time, we know what we like, and we like this new one from Dax Riggs. It’s a fine slab of desert sludge fuzz, and this is apparently Riggs’ first

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  • OKLOU DEBUT IS COMING

    French artist Oklou is a new one on us, and y’know, we could pretend that we’ve been all over her music for ages and we’re catching you slow pokes up, but that would be disingenuous. The news we read is that there’s a new album afoot called ‘choke enough’ and that’ll be out in February. We’re

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STOP HOARDING TUNES


  • WEYES BLOOD NEW VID IS LOVELY

    It only seems like yesterday that ‘Titanic Rising’ came out, but Weyes Blood marked the fifth birthday of it this week by releasing a brand new video for one of the finest songs on it. It’s a new visualiser for the endlessly gorgeous ‘Andromeda’ and has been directed by the artist herself alongside Ambar Navarro…

  • THERE’S NEW CAN THINGS TO HEAR

    Everyone likes Can. They’re ace aren’t they? Well, Mute are releasing some live albums of the great German group, and the latest is Can Live in Aston 1977, and that’s out in May. Recorded around the time of ‘Saw Delight’, this line-up is the one with Irmin Schmidt, Jaki Liebezeit, Michael Karoli, Holger Czukay and…

  • ONLINE DJ SETS, WHO GETS PAID + TWITCH

    DJs have been looking online to promote their sets for a while now, and at each turn, there’s is always the sticky problem of getting paid. Of course, in clubs and bars, DJs sling out other people’s music and there’s a tacit understanding between all parties that effectively, it’s free promotion for the artist and…

  • WHAT WE LEARNED FROM GRIMES TRAINWRECK DJ SET

    For those who have seen Grimes horror show of a DJ set at Coachella and have been hating on her for a while – enjoy this moment – you got what you wanted at long last. That may seem passive aggressive, but it isn’t. See, one of the unfortunate knock-on effects of the automation of…

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