
Disclosure are always a whole load of fun when they’re collaborating with guest vocalists, and now they’ve dropped a track with Anderson Paak, which makes a lot of sense and we’re surprised it hasn’t happened before. With that in mind, it seems like this one has been on the boiler for a while. The group…

You may know Jehnny Beth from Savages, but now, we’re dealing with a solo record which goes by the name of ‘High Resolution Sadness’, and it is absolutely brutal and needs to be played loud enough to leak out of your headphones on the bus. This is from Beth’s second solo album, ‘You Heartbreaker, You’, which is…

What do you do when you’ve amassed an adoring, fevered set of fans and you need to occasionally tell them off? It’s something we’ve seen with Chappell Roan, and so too, with Ethel Cain, who is an underground sensation, now gently bursting overground. Before you even get to the music, you’re aware that there’s been…

There’s something very wholesome and pure about Saint Etienne. That’s not to say they’re weedy nerds or anything, but their love of pop is an admirable thing, so the mere mention of them makes you feel all gooey, and that’s to be celebrated. So with that, they’ve shared a new song called ‘Take Me To…

One of the most infectious, dancefloor exploding tracks of the ’90s was the irresistible and utterly immense ‘Jump N Shout’ by Basement Jaxx, headed up by the irrepressible Slarta John who made the song erupt with energy and joy. Sadly, Slarta John – real name Mark James – has passed away, as confirmed by Basement…

When we launched THEPOPCORPS, we fully intended to make no money. That was 100% the business model. No sponsorships, no kind editorials in exchange for goods and services from PR companies and record labels. No free tickets. No free albums. You’re more likely to give an honest review when you’re using your own money and…

There’s something in the lizard bit of our brain that just loves a song that sounds like it should be played late and way too loud in a dive bar somewhere. These songs don’t need to reinvent the wheel – they need to be good, honest rock ‘n’ roll, whatever stripe of rock that is.…
Specifically, this version.

It seems that there’s a bit of a cottage industry around Drugdealer, where anyone related to them in any way is putting out sepia-toned ’70s pop, which is obviously a good thing. Are the returns a wholesale great thing? We dunno, but it’s always worth tuning in for honestly, given the strength of the second…
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