The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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To many, King Curtis is the emotional saxophone at the start of Withnail & I, as his take on ‘A Whiter Shade Of Pale’ drifts over the two unfortunate souls in ’60s London. To others, he’s the blistering sound that made Aretha’s ‘Respect’ pop so hard, as well as ‘Yakety Yak’ by The Coasters and
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Elliott Smith has basically become something of an American Nick Drake – gone too soon and a voice for sensitive and introverted around the world’s bedrooms. Of course, there’s joy in both of their music and so much to love, but it’s the downer, depressed element that made both artists so enigmatic. And when you
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By now, you’re probably aware of the unearthed and lost track ‘The Second Arrangement‘ by Gaucho-era Steely Dan seeing the light of day. This new bit of news isn’t quite that level, but it’s still fun stuff! A performance of ‘Reelin’ In The Years’ from the Midnight Special has turned up online and finds the
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Venues are every bit as interesting as the bands that play them, and there’s a new one over in Vegas which is psychedelically odd. It’s fun, even if a bit of a mind melter. Technically, it’s called the MSG Sphere (that’s Madison Square Garden, not the stuff you put in food) and it’s innards are
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You may not know Bombino, but listen to the song below and you’ll wish you did already. Bombino is a Nigerian artist who sings in Tamasheq and was the subject of the movie ‘Agadez, the Music and the Rebellion’. It’s heavy political music, but also joyful and psychedelic in places, and his music sprung out
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Listen, there’s been a lot of heartache in the service industry of late, and that’s because Taylor Swift tickets are nigh-on impossible to get hold of. Obviously, we haven’t tried because 1. We’re too cynical to enjoy her music 2. We’re too cynical to even join a Ticketmaster queue 99% of the time. This month,
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Sampha is back with new music and seeing as he’s one of the most interesting and unique voices in UK pop, that’s good news isn’t it? That’s rhetorical. Yes it is. This is his first single in six years, and it’s called ‘Spirit 2.0’. He’s not been lazy in the interim though – he’s been on
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It’s kind of annoying to refer to any musician by comparing them to someone else, but there’s this unavoidable thing with disco and dance music that makes you look at certain performers like they’re carrying the torch for the scene. Sure, there’s a lot of people who have employed house and whatnot into their music,
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Cocteau Twin Elizabeth Fraser has teamed up with Damon Reece who is Massive Attack’s drummer for a project called Sun’s Signature and there’s a new thing to lend your ear to. The track is called ‘Bluedusk’ and has been remixed by Lump. The band’s debut LP came out last year, but now, there’s an extended
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Hey Four Tet fans! Keiran Hebden and William Tyler have released a new single called ‘Darkness, Darkness’ and we’re going to share the b-side from it because it’s a great piece of Hauntological Creepcore, and yes, we know saying things are ‘hauntological’ is incredibly fashionable right now. But it is. It sounds like something from
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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