The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Whether you know Carwyn Ellis as Colorama, or through his Rio 18 work, being pals with The Pretenders, his Soho radio show, working with Edwin Collins, or just by being a humble, lovely man from Wales, you’ll know that his name means good music isn’t far away. Adding to his considerable bow already, he’s teamed
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Stan Culture – the act of feverishly following a band and defending and promoting them at every conceivable turn – is widespread and has been for a while now. Literally named after the Eminem track of the same name about a dangerously obsessive fan, countless internet pile-ons are present daily, as one fan group goes
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Billy Nomates may or may not be a familiar name to you, but her situation will be. She’s getting hauled over hot coals by the most boring indie fans in the world, thanks to a prestigious slot at the Glastonbury Festival. In the past, we’ve seen Boring Indie Fans literally set up petitions to try
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Cindy Wilson is one of the voices of the legendary B-52s and we all know her for the vampy, day-glo garage pop and big wigs. So when she’s back with a new single, we were expecting some bug-eyed fun, and well, we got something very different. Talking about her new album and single, she said:
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You’ll be hard-pressed to find a person we like more than Andre 3000 at PopCorps. Part of the greatest hip hop act to ever do it, endlessly cool and now, seemingly living his life entirely on his own terms and being spotted around the States just vibing with his wooden flute, any mention of him
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The death of any format is usually incorrect, but it’s true that trends can wax and wane. For years, vinyl was dying and of course, vinyl enthusiasts cleaned up down the record shops during the lean years while everyone else pressed and bought compact discs. Cassettes too, fell by the wayside with new tape releases
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One of the best hidden gems of the Noughties is Eiafuawn’s ‘Birds In The Ground’ LP and perfectly captured that weird need for music to provide a sense of unease as well as comfort in post 9/11 America. Think of how much we were all listening to Grandaddy and Will Oldham records, right? An off-shoot
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Our pal Aphex Twin is back with some new music, and it’s a mid-tempo breakbeat affair which won’t give you a nosebleed! Nice stuff, although we also like the nosebleed stuff too, for the record. It’s called ‘Blackbox Life Recorder 21f’ and it originally appeared on Soundcloud, then vanished, then reappeared on your favourite streaming
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Big Freedia always goes hard and there’s a new LP due called ‘Central City’, which is exciting! That’s out this Friday, so you don’t have to wait long, which is even better! She’s sharing a track to whet the whistle called ‘El Niño’,” which happens to feature fellow New Orleans legend Lil Wayne and longtime
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Hype is a dangerous thing. If you’re a hotly tipped band that’s come out of nowhere, suspicions are likely to be aroused. And so, to a headline from the NME, who are not impervious to a bit of shenanigans with their hype machine. Introducing Picture Parlour, the fearless rockers ready to take on the world
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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