The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Ace new group of evil-doers, Deaf Whip, have released a tremendously stylish and sexy live session for you to be summoned by. Deaf Whip are the child of all manner of great shit, and in this you’ll hear psychedelic drone, heavy heavy fuzz, brutalist electronic analogue doom, goth punk, and so much more. A co-pro
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‘Sound of the Underground’ on vinyl? Lovely coloured vinyl? What’s not to love about that, Girls Aloud fans? It’s the 20th anniversary of the LP, and you can pre-order it and then when it eventually arrives at your house, you can hold it like it’s your first born child. Order it via the Girls Aloud
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We were listening to ‘Come On, Eileen’ by Dexy’s the other day, and for the first time ever, wondered what that opening line was all about. If you’re not familiar, its: “Poor old Johnnie Ray; sounded sad upon the radio, moved a million hearts in mono. Our mothers cried, sang along, who’d blame them?“ That’s
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You probably love Thundercat already and, unless you’re some precise age that actively hates the popularity of Tame Impala because you were annoyed at all your classmates liking them when you were ranting and raving about The Cramps or something, you probably quite like a couple of Tame Impala tracks. Well, the two have teamed
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To many, Harry Belafonte is the singer of wonderful songs, such as ‘Jump In The Line (Shake Señora)’ which featured prominently in Beetlejuice. To others, he’s a civil rights activist and all-round legend. He was a well respected actor too. All of these things are fair, as we bid a very fond farewell to one
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Yes, we understand that we led with quite the headline there, but this is a wild story that is going to require some working out. We could’ve added that we think Pras Michel might be representing himself as well, just for a bit of added MENTALNESS. So, what’s going on and will we get sued
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Yuné Pinku makes really great music. Sniffs of UK Garage, clicky house, pop-bops and more all thrown into the mixing pot. It really is infectious stuff. This week, there’s a new EP due called ‘Babylon IX’ and we’re pretty excited about hearing it. That excitement has ramped up slightly with the release of a new
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It might be a bit of a stereotype to presume that vinyl-loving readers of these pages might see their toes curl up at the notion of any social media platform that requires you to take a photo of yourself, but y’know. Anyway, assuming that we might actually have some readers under the age of 35,
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We fizzed with excitement about the Gayance LP, and we’re doing it all over again as she’s teamed up with Jarreau Vandal for an absolute bop. The track is called ‘No More’ and the track is out right now – but if you want to hear it first, then keep scrolling because obviously we’ve embedded
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Dolphins are proper dirty fuckers, and with that opening gambit in mind, the Vengaboys have something to tell you. Robin Pors, a Venga himself, said that a dirty dolphin assaulted him. Like that – it wasn’t a mugging. He brushed the whole thing off as a ‘compliment’, because when you’re a Vengaboy, you are irresistible
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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