The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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The Chemical Brothers – there’s no-one quite like them. Weird, heady drug music, but still a boatload of fun. Well, they’re back with a new thing. In fact, it’s the first new thing since 2021, which is nice. As ever, they’re back with a very heady drug video (that’s still a boatload of fun) and
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We’ve heard people raving about Lankum, and like all nosey parkers, we wanted to know what was going on to see if we would find a new band we liked, and at worst, not like them and generally be dismissive of other people’s music tastes and bemoan the state of it all. Good news! This
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We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,
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It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called
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K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love
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‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with
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Tina Weymouth’s group, Talking Heads, are coming back of a fashion. ‘Stop Making Sense’ – the iconic live movie – will return to theatres in 2023 with a newly restored 4K version, so it’ll look real pretty. It’s from A24 if you care about such details. Also, a Deluxe Edition of the film soundtrack will
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Cult faves Drugdealer have been sneaking out new tracks over the past few months, and the project is still steeped in that glorious ’70s sound that they’ve peddled before. However, in a nicely surprising turn of events, this new one – ‘Lip Service’ – veers away from the smoothness and sounds a bit more pub-punk,
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Bobby Caldwell is no longer with us, so with that, we’re going to send it out into the ether that we love him. His wife took to Twitter to confirm his passing, after he’d been ill for a number of years. If you aren’t immediately aware of who Bobby Caldwell is, the first thing we’ll
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It’s a storm in a teacup, but it all kicked off on Twitter recently, with some guy wheeling out a tired old take about Meg White being a terrible drummer. He said: “The tragedy of the White Stripes is how great they would have been with a half decent drummer. Yeah yeah I’ve heard all
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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