
Disclosure are always a whole load of fun when they’re collaborating with guest vocalists, and now they’ve dropped a track with Anderson Paak, which makes a lot of sense and we’re surprised it hasn’t happened before. With that in mind, it seems like this one has been on the boiler for a while. The group

You may know Jehnny Beth from Savages, but now, we’re dealing with a solo record which goes by the name of ‘High Resolution Sadness’, and it is absolutely brutal and needs to be played loud enough to leak out of your headphones on the bus. This is from Beth’s second solo album, ‘You Heartbreaker, You’, which is

What do you do when you’ve amassed an adoring, fevered set of fans and you need to occasionally tell them off? It’s something we’ve seen with Chappell Roan, and so too, with Ethel Cain, who is an underground sensation, now gently bursting overground. Before you even get to the music, you’re aware that there’s been

There’s something very wholesome and pure about Saint Etienne. That’s not to say they’re weedy nerds or anything, but their love of pop is an admirable thing, so the mere mention of them makes you feel all gooey, and that’s to be celebrated. So with that, they’ve shared a new song called ‘Take Me To

One of the most infectious, dancefloor exploding tracks of the ’90s was the irresistible and utterly immense ‘Jump N Shout’ by Basement Jaxx, headed up by the irrepressible Slarta John who made the song erupt with energy and joy. Sadly, Slarta John – real name Mark James – has passed away, as confirmed by Basement

Everyone was scrabbling around looking for a password so they could hear Hayley Williams’ new music, we found it, nearly published it before it transpired that she’d removed all the music from her website. What a palaver. Well, good news is that she’s officially released the 17 songs for everyone to hear so we don’t

BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…

Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…

It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…

When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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