The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Did you like Animal Collective? Did their brand of spiralling psychedelic indie rock do it for you? Good news then, because they’re back! This seems to be a one-off single, but there might be more stuff in store if you keep your ear to the ground. It’ll be released on a limited edition 45, and
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There’s been so many beautiful words written about the Beach Boys since the passing of Brian Wilson, that it feels partially redundant to add more here. However, for all the virtues of these tributes, there’s still a nagging sense of reducing the group to a ‘mere’ surf group, when clearly, they were so much more.
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There’s a lot to be said for the fanciful things said by politicians and generally, you can’t trust them as far as you can throw them. They take credit for all manner of stuff while they had their fingers up their bums, so nothing should surprise us. However, we had to have a little sit
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We’ve been waiting for a new LP from Tchotchke, and now we know there’s one is coming, what with a brace of new songs. The latest new track has a fun glam-boogie beat and is the usual great bubblegum rock that we love so much from the girls. It’s called ‘Poor Girl’ and press play
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The influence of African music on pop culture is obvious, but it really feels like it has been roundly overlooked in full discourse. Either way, the influence is evident on the new track from Ghanaian/American singer, Amaarae’s new single. Melding R&B, dance, afrobeats, pop and more, Amaarae has been turning heads with forward thinking music,
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The Kokoroko collective have shared a fine new track by the name of ‘Just Can’t Wait’, which is taken from the imminent ‘Tuff Times Never Last’ LP, which is due out on July 11th. Not long to wait! “It’s a song with a congregational feeling for the steppers,” says Sheila Maurice-Grey, which is exactly the
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As much as R&B is one of our favourite genres, it’d be remiss of us to not acknowledge that it falls for fashionable tropes a little too often. This is one of the pitfalls for a genre that is so keen to innovate and stay on the cutting edge, as artists and producers indulge in
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Ever noticed how YouTubers and writers do long preambles to essays and pieces in a bid to give the viewer or reader a sense of value for money? Or maybe, to spam the algorithm into coughing up money for a more substantial thing? Well, we’re avoid that and telling you the truth – we don’t
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We’ve wandered into the summer, and that of course, means it is festival season. Alongside the usual hedonism, middle class kids doing some working class tourism, yurts, balloons, and flags, there’s also going to be Palestine. A lot of media outlets are focusing on Kneecap, who have been vocal in their support for Palestine and
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Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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