The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out
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Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s
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Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the
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We’d need to dedicate a thousand words to the influence, genius, and all round wonder that is Brian Wilson, to pay tribute to him now he’s passed. However, we feel that right now, it’s better to watch Brian being really happy, performing the Smile suite with a band that loves the material as much as
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When an artist makes certain demands to be taken seriously, more often than not, the knives come out. It may be unfair that the landscape of music journalism can praise one artist for having lofty ambitions, while deriding another for the same thing, but that’s always been the way. We find ourselves with Miley’s new
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Sly Stone has left the building, leaving behind a life and a career that eclipses most of what everyone else managed to cram in, combined. Seemingly against the odds, he managed to reach the grand old age of 82. His family issued a statement. “It is with profound sadness that we announce the passing of
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King Princess has announced a new LP called ‘Girl Violence’ and for the kind of fans who like saying that someone’s got them in a chokehold and hipsters who want to yelp parental yelps, this new stuff is going to do the trick by the looks of things. The album is out in September, and
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We are huge fans of Rochelle Jordan, from her early days of dreamy R&B, but moreso now that she’s incorporated luxurious, smart house to the mix. ‘Play With The Changes’ is one of the finest albums released in the last decade, and we’ve been eagerly waiting for another full length release since. Maybe that’s coming,
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Cate Le Bon is not only prolific, but she’s also one of the more unique artists around, so it is definitely good news that she’s announced a new album. And there’s a song to listen to, taken from it, which you can check below. The LP is out via the excellent Mexican Summer, and features
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A new satirical music genre just dropped called ‘Co-Worker Music’ and you’re probably wondering what that is… or maybe you just intuitively know exactly what it is… either way, have we got something for you! Co-worker music is also called ‘NPC Music’, and it’s all very glib and a bit sniffy, but that’s okay –
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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