The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Mclusky have a small but devoted fanbase and, rightly so, even if occasionally the reaction to adoration from the band can seem fractious at times. It’s all part of nervous, tense fun, obviously. They’ve announced a new album called ‘The World Is Still Here and So Are We’, which is their first in 21 years.
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Pearl Charles is great. She’s made shimmering ’70s pop, glitterball disco, and cosmic singer-songwritery stuff. It’s the latter that her latest release errs on the side of, and it’s one of her best songs to date! She’s been working with the brilliant Michael Rault on her new music, and ‘Step Too Far’ is a brooding,
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Kanye has been at it recently and a lot of people have been talking about him being off the meds, which illness his brain has, how he’s not been the same since his mother died, and on and on and on and on and on and… It’s obvious that attention is one of the major
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Look, you should already be subscribed to BANDSPLAINING on YouTube. If you’re not, this is your heads-up. The latest video explains Library Music, so if you’ve been jonesing for someone to dissect what it is, what’s good about it, and who it influenced, this is a great primer to get you going. If you’re already
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Remember us telling you about the documentary about Scottish girl groups? We did, y’know? It sounded great didn’t it? Well, you may have thought you wouldn’t be able to watch it without getting in some narrow window of when it was aired at some fun, cool indie cinema somewhere. The good news is that you’ll
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Gracie Abrams has opened a can of worms this week, and that’s fine. Pop stars are supposed to run their mouths occasionally, and everyone else in turn, gets to run theirs. That’s the way pop culture works – it’s a contact sport. Speaking about Taylor Swift, she said: “There’s also nothing that comes close to
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We liked the Waxahatchee album – ‘Tigers Blood’ – a lot, but sadly got into it too late to have it on our end of year lists. Still, good music is still great whenever you hear it! With that, we’re right on time to hear a new track from the same sessions, and its called
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Look, we don’t know a lot about Squid, but you might. Squid feel like one of those bands that people like you probably like. We realise that this sounds like shade, but it’s not. There’s new music to listen to, crucially, and we don’t quite know how to describe it, which in an age of
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Such is the paid-for media churn these days, it almost feels redundant writing about bit single releases. What’s the point in telling you what we think, when you’ve already been alerted to the existence of a song, and listened to it yourself? It all reeks of us trying to vaguely grab some traffic off the
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Instead of shrugging at the inevitability of everything being bad in the world of music, maybe we could all take a few minutes out of our day, to contribute to the future of it. If you want to have your say about the state – and future – of live music, then you’re invited to
STOP HOARDING TUNES
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GREAT JAPANESE JAZZ BOOK
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…
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KHRUANGBIN EASING BACK
Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…
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IRAQ, NAPSTER, BOOMER KICKBACK, STEELY DAN VS BACKSTREET + WHAT?
It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…
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HEAVY ’84 BOOGIE
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
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