
The new radio show of ours – Free Range – is out. Music from all over the globe as ever, with new music from Panda Bear, Hayley Williams’ granddad, Everything Is Recorded, Vulfmon, and loads more. There’s a tribute to dear Marianne Faithfull too, as well as the usual shenanigans with a dreadful AI co-host.

Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,

When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance

Self Esteem is back with a new single called ‘Focus is Power’, and it’s all very uplifting and self-helpy, and honestly, with the level of devoted fanbase she’s got, they’ll probably lap this up. She’s good people, so that’s nice. There’s a new LP due called ‘A Complicated Woman’ with very striking artwork (which you

The Pill don’t like mullets. They’re done. They’re cooked. Their new single is called ‘Money Mullet’ and is about this fact. They’re another chaotic punkish group from the Isle of Wight (there’s something afoot down there, clearly) and it reminds us of the kind of indie-punk that was a mainstay in the ’90s, causing chaos in

BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super…

Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album…

It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set…

When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
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