The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hip hop has found itself in a funny place lately. Everyone’s broke. There’s been a pandemic. Energy bills are out of control. Prices are going up. It’s difficult to listen to someone talk about how many millions they’ve got hanging off their wrist. It’s tough to stomach listening to someone complain about how lonely they…
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Have you heard of Michael Rault? Well, there’s a good chance he released the finest LP of 2022, if you’re into perfect pop that’s cut with all good things like West Coast 70s music, Paul McCartney’s Wings, ELO (aka Beatles: The Musical), Harry Nilsson etc. If you need more modern recommendations, then file Michael Rault…
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What’s the deal here? A music blog, being launched in a time when blogging is absolutely dead, especially trying to cover music? What’s the point in that? Well, call it a labour of love. Call it foolhardiness. Call it what you want, but the chances of this making any money is basically nil, and thankfully,…
STOP HOARDING TUNES
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FREE RANGE RADIO FEB 2024
Hey! We have a new radio show out! It features music from all corners of the world, including something from the Fonteyn and Pat’s Soundhouse we’ve raved about recently, as well as the peerless Dina Ögon, and the new one from The Lemon Twigs. And there’s stuff from Lebanon, Turkey and more! Get stuck in!
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CASIO RAPMAN
There’s a lot of videos online geeking out about obscure synths, but few are as fun as this one about the cutest thing you ever did see – the Casio ‘Rapman’. A video made with a lot of love, filled with clips and the aforementioned keyboard which had a scratch wheel, hip hop beats and…
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WEYES BLOOD + POLACHEK
Hey! Are you a fan of Caroline Polachek? Are you a fan of Weyes Blood? We’ve got some good news for you in that case, because the two have teamed up for a new version of the song ‘Butterfly Net’ and it’s really very nice. This redo will appear on a deluxe version of Polachek’s…
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REVIEW / PAT’S SOUNDHOUSE / SILLY DEMON
Many bands aim for Pet Sounds when they’re trying to make ambitious pop, but a lot of groups miss out on the pure, inventive, playful joy when they’re channelling Brian Wilson, Curt Boettcher & Co. There’s a shed pop, ramshackle feeling to when these things work best, like someone’s tripped over a box of classroom…
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The Pop Corporation 