
Not everything you listen to is designed for the club or a sugar coated three minute pop-song – sometimes things can be strange, artistic, dark, and unlike anything you’ve listened to before. In the case of ‘Tintinnabulation’ by Marcus Vergette, we stumbled across one of the most enchanting and peculiar LPs we’ve come across. A…

We told you there’d be a gig for Prince Charles‘ transformation into King Charles III Rex or whatever he’s called now. We predicted that Jess Glynne would be asked because, well, just listen to her. Well, we’ve had some confirmations. Let us go through them in list form, and then write down what we think…

The legendary jazz pianist Ahmad Jamal has left us, confirmed by his wife. Maybe not a household name, but every inch a legend. His playing was warm but minimal, a spiritual link between the cool jazz and bop eras of the genre. A titan in jazz, and hugely influential on his peers and those that followed. The…

As everyone has a laugh mucking around with AI and asking it daft questions, the comfortingly humourless record companies of the world are almost certainly readying their lawyers. Why? Well, if you can’t be arsed waiting for your fave band to get back together, you can get the robots to do it. First off –…

There’s a sense that all the best new music coming out in 2023 is blessed with an ethereal sense of finally getting outside. Be it chugger daytime dancers, or dreamy psychedelic music, there’s a feeling of finally touching some grass after being stuck inside and nervous for too long. So with that, we go to…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…

If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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