
Look, there’s no point pretending that the soul music released during the 1970s isn’t one of mankind’s greatest ever achievements. With that in mind, it’s not surprising that so many artists draw inspiration from that period. Sinkane’s new one – in tandem with Tru Osborne – is exactly that, and called ‘Everything Is Everything’ and

Music is a funny ol’ business, and in the days of streaming, something interesting has happened. Thanks to algorithmic sentiments, it feels like it’s never been harder for smaller artists to reach an audience. Radio play is decided by committees and focus groups, which leaves us with a trace amount of DJs playing whatever they

Well, Spotify have decided the way to fix the broken royalties model is to stop paying small bands. Now, that’s not how they’ll be spinning it, but it’s the reality of the situation. See, Spotify have a problem with ‘noise’ tracks and those generating plays by making ‘non music’. So, to fix that, they’re going

The Chemical Brothers are saying ‘Goodbye’. Not forever, mind you. It’s the name of their new single and as ever, it’s got a really fancy, psychedelic video. They always have ace visuals don’t they? If you’ve seen them live recently, your eyeballs are probably still fizzing like Alka Seltzer in soup. Great craic. There’s also an

Mildlife are an Australian band designed for dancing too. However, it’s also very much music of the head too, as they’ve been dubbed variously as ‘psychedelic jazz fusion’ and ‘prog disco’. If both of those phrases gave you a bit of the ick, don’t worry – this track you’re about to hear is cool, cool shit.

Adam Scott plays Normal Wry Guy better than most, so it’s kinda comforting to know that, in real life, he’s a Grade A Dadrock Guy. Along with Scott Aukerman have a pod which has been through a few names, talking about some serious double denim jams. They talked about U2’s back catalogue with a podcast…

From Singapore, named after a Final Fantasy character, and making the kind of music that feels like it was artificially created by grafting the echoes of the literal internet to a young person’s DNA in some experiment that we haven’t worked out if it’s cruel or not, there’s no-one quite like Yeule. Is it tech…

Yes! Mclusky are back! Of course, they’re the most clever-clever knuckleheads who ever graced a bleeding earhole, which means their fans can err on the side of very devoted, but shurrup, they’re fuckin’ dynamite and it’s great they’re back! Back how? Well, with an absolute glorious racket, they’ve put out their first music in a…

John Carpenter is twiddling the knobs again, with Cody Carpenter and Daniel Davies on a new version of his ’69th St Bridge’ which of course, was first heard on his ‘Escape To New York’. It’s a chunky, gnarly little number that will tickle the pickle of anyone who is into fun, sparse synth music. There’s…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
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