
If you’re into killer fuzz, bug-eyed psychedelic bondage music and a heavy gothic sonic assault on the senses, then you need to get to know Deaf Whip. They have a new single out called ‘Clocking Out’, and they’ve described themselves as “heavy garage four piece with synthesised nods to drone, punk and psychedelia” which slightly

EarthGang are great – they’re about as psychedelic as hip hop gets in the current climate, mixing elastic funk with future trap, and generally, they’re making people who yearn for the times of Missy and OutKast very happy indeed. ‘Mirrorland’ is one of the great modern hip hop LPs and they’ve been releasing stuff since

Arguably the best group to come from the Indie Sleaze period are Brazil’s CSS, who managed to manage their spontaneity with fabulous grooves and playfulness. For the first time in over a decade, they’re going to be doing a European tour called ‘It’s Been A Number Of Years’, which it has! Remember how good ‘Off

Oh, the fractured and chequered history of the mighty Sugababes. There’s been six members, and you could only really argue that four of them really count, and the puritans, three. Obviously, the holy trinity are Mutya, Keisha and Siobhàn, but Heidi’s tenure involves some of the group’s most iconic moments, even if deep in our

BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super

Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album

It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set

When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the

It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link

Adam Scott plays Normal Wry Guy better than most, so it’s kinda comforting to know that, in real life, he’s a Grade A Dadrock Guy. Along with Scott Aukerman have a pod which has been through a few names, talking about some serious double denim jams. They talked about U2’s back catalogue with a podcast…

From Singapore, named after a Final Fantasy character, and making the kind of music that feels like it was artificially created by grafting the echoes of the literal internet to a young person’s DNA in some experiment that we haven’t worked out if it’s cruel or not, there’s no-one quite like Yeule. Is it tech…

Yes! Mclusky are back! Of course, they’re the most clever-clever knuckleheads who ever graced a bleeding earhole, which means their fans can err on the side of very devoted, but shurrup, they’re fuckin’ dynamite and it’s great they’re back! Back how? Well, with an absolute glorious racket, they’ve put out their first music in a…

John Carpenter is twiddling the knobs again, with Cody Carpenter and Daniel Davies on a new version of his ’69th St Bridge’ which of course, was first heard on his ‘Escape To New York’. It’s a chunky, gnarly little number that will tickle the pickle of anyone who is into fun, sparse synth music. There’s…
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