The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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When Ryan Leslie is on form, he’s hard to beat. From ‘Diamond Girl’ to ‘I-R-I-N-A’, to ‘You’re Not My Girl’ and ‘Addiction’, R-Les was serving up bangers that were big, but should’ve been made even bigger. His production work with other artists was hot stuff too, with the mega ‘Long Way 2 Go’ with Cassie,
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There’s been a lot of chatter around Luke Combs’ hit cover of ‘Fast Car’, a lot of furrowed brows and people wafting their forks pensively at dinner parties, about whether a country singer should be doing a song by a woman of colour, a woman people assume is gay (look, she might be, but she’s
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In the corporate world, there’s this terrible pair of words that people use – “proactive” versus “reactive”. There’s something in it though, because we all know that there’s two types of people in the world. The first is someone who creates a parameter for a fun Spotify playlist. Maybe they come up with a scenario
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Beth Gibbons is one of the good ones. Never needlessly hurried, she’s made incredible music with Portishead, and of course, she’s done other work like the folkie numbers with Rustin Man and Paul Webb. Well, she is back again with her debut solo LP ‘Lives Outgrown’. “As usual it reflects what’s been going on with
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Lana Del Rey has a new LP coming out called ‘Lasso’, which means she’s going country, and honestly, it’s a move that feels right doesn’t it? Long an admirer of the aesthetic of faded glamour, big hair and broken women, Hollywood and rhinestones, Lana’s version of country music is likely to be that good kinda
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They’ve chirpsed half your mates, given three of them STDs and referred to every single one of their exes as ‘mental’, and they got promoted at the bar they worked at, in part, for coming up with a mildly successful drink, in part because they’re willing to get bags in midweek and split them with
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TikTok are new media, and by and large, record companies are resolutely middle aged. With that, social media and physical media are going to be at loggerheads, and this time, it’s Universal Music who are at it, and they’re going to pull all their music from TikTok in the coming days, after failing to reach
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We’ve all felt that unswerving love for an artist that makes us want to leap to their defence at the mere mention of their name, because you’re bored of everyone slagging them off. Hashing it out down the pub is one of music’s great theatrical events, but thanks to terminally online culture, lines can be
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Caoilfhionn Rose is one of the most original and brilliant voices in modern acid folk, and her newest track ‘Rainfall’ feels like just the tonic for a cure to the wintertime blues. It’s a shimmering, hazy, psychedelic slice of loveliness and, for anyone who has heard her music before, that will come as no surprise
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Not every day is a new day. Sometimes, you just have to accept that, but then remember that there’s things we forgot to mention. Like our latest radio show, which came out recently. It’s not time sensitive, so you can listen to it whenever you like. Great music from all over the world, with an
STOP HOARDING TUNES
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ADAM SCOTT’S DADROCK POD
Adam Scott plays Normal Wry Guy better than most, so it’s kinda comforting to know that, in real life, he’s a Grade A Dadrock Guy. Along with Scott Aukerman have a pod which has been through a few names, talking about some serious double denim jams. They talked about U2’s back catalogue with a podcast…
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YEULE: NOT QUITE SURE WHAT IT ALL MEANS, BUT IT’S GOOD?
From Singapore, named after a Final Fantasy character, and making the kind of music that feels like it was artificially created by grafting the echoes of the literal internet to a young person’s DNA in some experiment that we haven’t worked out if it’s cruel or not, there’s no-one quite like Yeule. Is it tech…
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FUCK YEAH MCLUSKY ARE BACK
Yes! Mclusky are back! Of course, they’re the most clever-clever knuckleheads who ever graced a bleeding earhole, which means their fans can err on the side of very devoted, but shurrup, they’re fuckin’ dynamite and it’s great they’re back! Back how? Well, with an absolute glorious racket, they’ve put out their first music in a…
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NEW JOHN CARPENTER SYNTH STUFF
John Carpenter is twiddling the knobs again, with Cody Carpenter and Daniel Davies on a new version of his ’69th St Bridge’ which of course, was first heard on his ‘Escape To New York’. It’s a chunky, gnarly little number that will tickle the pickle of anyone who is into fun, sparse synth music. There’s…
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