
Here’s a new song called ‘Deceiver’ by Claire Rousay and Helena Deland. It’s released on Mexican Summer who, largely speaking, are a record label you can trust. It’s always worth listening to something if it’s released on Mexican Summer. They’ve put out music by Weyes Blood, Cate Le Bon, Best Coast, Kurt Vile, Connan Mockasin,

If you know Adrian Flanagan, you’ll know he’s behind a whole bunch of great music stuff, including The International Teachers of Pop, The Moonlandingz, The Chanteuse & The Crippled Claw and more. Look him up. You’ll have a lovely time. Anyway, at the minute, he’s doing the Acid Klaus thing and there’s a new song

Nick Cave eh? Like, he’s really loved. Not everyone loves him of course – who is entirely loved? Certain pockets of the internet have turned on David Attenborough, so y’know, who stands a chance? Anyway, we’re not that bothered about Nick Cave’s music so we’re not going to try and cancel him here (over his

Thanks to Jonny Trunk and his ever gorgeous mailout for alerting us to this delightful clip of a very young Marcos Valle on the Andy Williams show. Of course, Marcos would move away from bossa nova and having short hair, to make a clutch of brilliant psychedelic LPs, before moving into jazz-fusion MPB and all…

There’s always a resurgence of Good Country and Americana when the USofA is in turbulent times. Lines are drawn, and Bad Country will focus on tired, conservative issues (in some cases, siding with literal baddies and idiots, becoming Cringe Edgelords: The Musical), giving the good heads something to kick against. We’ve had a ’70s country…

Ambivalence in pop, rock and everything else, is not often spoken about. And why would it? Barely summoning a feeling about something is not something you can really crow or cry about, because in it’s place, is an uninterested shrug. It’s not being above anything – it’s literally a magnolia painted wall in a flat…

The thing with The Band is that they seemed to land perfectly formed. Are there many better debut albums than ‘Music From The Big Pink’? As well as spearheading the revival of rootsy Americana, which is no mean feat in itself, to find yourself there when Dylan was called “Judas!”, Robbie Robertson lived enough for…
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