The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

  • NEW KOKOROKO

    The Kokoroko collective have shared a fine new track by the name of ‘Just Can’t Wait’, which is taken from the imminent ‘Tuff Times Never Last’ LP, which is due out on July 11th. Not long to wait! “It’s a song with a congregational feeling for the steppers,” says Sheila Maurice-Grey, which is exactly the

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  • REVIEW / YAYA BEY / DO IT AFRAID

    As much as R&B is one of our favourite genres, it’d be remiss of us to not acknowledge that it falls for fashionable tropes a little too often. This is one of the pitfalls for a genre that is so keen to innovate and stay on the cutting edge, as artists and producers indulge in

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  • SYNTHPOP FROM AUTOMATIC

    Ever noticed how YouTubers and writers do long preambles to essays and pieces in a bid to give the viewer or reader a sense of value for money? Or maybe, to spam the algorithm into coughing up money for a more substantial thing? Well, we’re avoid that and telling you the truth – we don’t

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  • SUMMER AND PALESTINE

    We’ve wandered into the summer, and that of course, means it is festival season. Alongside the usual hedonism, middle class kids doing some working class tourism, yurts, balloons, and flags, there’s also going to be Palestine. A lot of media outlets are focusing on Kneecap, who have been vocal in their support for Palestine and

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  • CASS MCCOMBS WRITES GOOD SONGS

    Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,

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  • KIM GORDON VS MAGA

    Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out

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  • MAVIS STAPLES X FRANK OCEAN

    Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s

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  • PHOENIX DEMO ON YOGHURT

    Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the

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  • WATCH BRIAN WILSON BEING HAPPY

    We’d need to dedicate a thousand words to the influence, genius, and all round wonder that is Brian Wilson, to pay tribute to him now he’s passed. However, we feel that right now, it’s better to watch Brian being really happy, performing the Smile suite with a band that loves the material as much as

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  • REVIEW / MILEY CYRUS / SOMETHING BEAUTIFUL

    When an artist makes certain demands to be taken seriously, more often than not, the knives come out. It may be unfair that the landscape of music journalism can praise one artist for having lofty ambitions, while deriding another for the same thing, but that’s always been the way. We find ourselves with Miley’s new

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STOP HOARDING TUNES


  • MARCOS VALLE X ANDY WILLIAMS

    Thanks to Jonny Trunk and his ever gorgeous mailout for alerting us to this delightful clip of a very young Marcos Valle on the Andy Williams show. Of course, Marcos would move away from bossa nova and having short hair, to make a clutch of brilliant psychedelic LPs, before moving into jazz-fusion MPB and all…

  • RATBOYS BRING THE GOOD COUNTRY

    There’s always a resurgence of Good Country and Americana when the USofA is in turbulent times. Lines are drawn, and Bad Country will focus on tired, conservative issues (in some cases, siding with literal baddies and idiots, becoming Cringe Edgelords: The Musical), giving the good heads something to kick against. We’ve had a ’70s country…

  • TAYLOR SWIFT AMBIVALENCE IS OKAY

    Ambivalence in pop, rock and everything else, is not often spoken about. And why would it? Barely summoning a feeling about something is not something you can really crow or cry about, because in it’s place, is an uninterested shrug. It’s not being above anything – it’s literally a magnolia painted wall in a flat…

  • REST WELL, ROBBIE ROBERTSON

    The thing with The Band is that they seemed to land perfectly formed. Are there many better debut albums than ‘Music From The Big Pink’? As well as spearheading the revival of rootsy Americana, which is no mean feat in itself, to find yourself there when Dylan was called “Judas!”, Robbie Robertson lived enough for…

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