
We’re not really into the whole post-punk, long anorak, well-read indie music stuff on these pages. We’re not saying that it is a bad thing, rather, just letting you know that with these things, we’re an unreliable source. And so to Black Midi who were the darlings of lads in cherry red Doc Martens, gloomy

Funny what people turn into films these days. The latest to surprise us (not unpleasantly, mind) is the movie about indie slacker kings, Pavement. It is called ‘Pavements’ and directed by Alex Ross Perry who we don’t know, but we’re going to assume they love a trucker cap and a plaid shirt and some beat

In record collector circles, Dorothy Carter is a big ticket and her ‘Troubadour’ LP is the stuff of legend. Originally released back in 1976, it was a pioneering and unique work and linked up folk with other-worldly avant-garde behaviours. It’s a wild and beautiful body of work. She studied formally before finding herself in a

Ashley Beedle’s involvement with X-Press 2, being namechecked in Daft Punk’s ‘Teachers’, sending Elton John’s ‘Are You Ready For Love?’ to number one, and decades of wonderful, rafters rattling DJ sets means that no-one should be in any doubt that he’s one of the legends of dance music. And when a legend needs your help,

Aged 52, Danielle Moore the lead singer of Crazy P, has sadly died. Moore’s cause of death has not been shared, and honestly, it’s not our business so we shall do our best to celebrate her life. In a statement posted to Instagram, her fellow bandmates wrote, “We cannot believe the news ourselves and we

Thanks to Jonny Trunk and his ever gorgeous mailout for alerting us to this delightful clip of a very young Marcos Valle on the Andy Williams show. Of course, Marcos would move away from bossa nova and having short hair, to make a clutch of brilliant psychedelic LPs, before moving into jazz-fusion MPB and all…

There’s always a resurgence of Good Country and Americana when the USofA is in turbulent times. Lines are drawn, and Bad Country will focus on tired, conservative issues (in some cases, siding with literal baddies and idiots, becoming Cringe Edgelords: The Musical), giving the good heads something to kick against. We’ve had a ’70s country…

Ambivalence in pop, rock and everything else, is not often spoken about. And why would it? Barely summoning a feeling about something is not something you can really crow or cry about, because in it’s place, is an uninterested shrug. It’s not being above anything – it’s literally a magnolia painted wall in a flat…

The thing with The Band is that they seemed to land perfectly formed. Are there many better debut albums than ‘Music From The Big Pink’? As well as spearheading the revival of rootsy Americana, which is no mean feat in itself, to find yourself there when Dylan was called “Judas!”, Robbie Robertson lived enough for…
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