
If you’re into killer fuzz, bug-eyed psychedelic bondage music and a heavy gothic sonic assault on the senses, then you need to get to know Deaf Whip. They have a new single out called ‘Clocking Out’, and they’ve described themselves as “heavy garage four piece with synthesised nods to drone, punk and psychedelia” which slightly

EarthGang are great – they’re about as psychedelic as hip hop gets in the current climate, mixing elastic funk with future trap, and generally, they’re making people who yearn for the times of Missy and OutKast very happy indeed. ‘Mirrorland’ is one of the great modern hip hop LPs and they’ve been releasing stuff since

Arguably the best group to come from the Indie Sleaze period are Brazil’s CSS, who managed to manage their spontaneity with fabulous grooves and playfulness. For the first time in over a decade, they’re going to be doing a European tour called ‘It’s Been A Number Of Years’, which it has! Remember how good ‘Off

Oh, the fractured and chequered history of the mighty Sugababes. There’s been six members, and you could only really argue that four of them really count, and the puritans, three. Obviously, the holy trinity are Mutya, Keisha and Siobhàn, but Heidi’s tenure involves some of the group’s most iconic moments, even if deep in our

BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super

Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album

It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set

When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the

Now that Daft Punk are a thing of the past, they’ve allowed some of their human side out with a look behind the scenes. A while ago, they shared some bits with Julian Casablancas that we can’t remember if we shared or not, and now, there’s more! They’re releasing a video series on YouTube called…

Even though Ride referred to their 1994 LP ‘Carnival of Light’ as “Carnival of Shite”, and being a departure from their usual jangle of noise and shoegaze, many fans regard it a lesser work. The Pop Corporation disagrees, and disagrees hard. You see, back in ’94, Britpop was kicking in and a number of groups…

Perhaps it’s testament to Outkast that any new genre-blurring rap group that emerges immediately makes us think of them. The latest group who are surely getting tickled with that brush are young hot-shots, Paris Texas. That’s nothing to do with the film of the same name, so calm down country boys. It appears that Paris…
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