The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hello there. We remembered that listeners of our related radio show – FREE RANGE – might like to read the tracklisting for the show, instead of just listening to the words being pronounced badly throughout it. It’s the last show of the year before the round-up of 2025’s best music, so the last time where
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We’re big fans of NONAME who is someone who absolutely marches to the beat of her own drum, and she’s at it again with a surprise new track! Called ‘Hundred Acres’, it appeared on the algorithm which did its job for once, and as you’d expect, it’s smart as hell, funky, irresistible chorus, and is
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If you’ve heard ‘Dig My Grave’ by Lankum, you’re probably still a but spun out by it (or thunderously turned on if that’s you’re thing) and it’s gothic bedlam. Well, they’re at it again with a little treat for Halloween (and the general state of the world, sadly) with a unique take on ‘Ghost Town’
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Kelly Lee Owens is ace, especially when she’s in dancefloor mode – and she’s shared a new track from the EP ‘KELLY’ which we particularly like. The release of the EP is November 21st, and this new track should get your motor running in the meantime. It goes by the name of ‘132 TECHNO’, and
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A lot of R&B lately, has been so stoned or strung out on Xannies that it’s barely there. That’s fine and all that, but sometimes you want something a big more focused and bigger with the kind of drums that rattle your windows. Thank god then, for keiyaA, who is dropping her ‘hooke’s law’ album
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He’s a long way from his ‘Cartel’ days is Murkage Dave, and it’s been great to see his creative expand upwards and outwards. Genre-hopping, confessional and honest, he’s been releasing his best work since going solo. And there’s a new single called ‘Swordfight In A Chicken Shop’, and there’s a lyric video with it, so
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For people of a certain age, it’s always bad news when the things of their youth become ‘retro’. However, with that, comes an appreciation of the things we loved from the past. As subscription fatigue takes hold with the global youth, the Wild West of the old internet looks appealing once more. The premise of
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The Orielles are back, and that’s great news. They’ve announced a new LP which will be their fourth, called ‘Only You Left’. You’ll be able to hear the whole thing on March 13th, but of course, there’s a new song to tide you over. The new song is a heavy, psychedelic affair – a touch
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In a pop age where everyone is dropping cryptic messages and leaving trails of breadcrumbs and codes for fans to pore over, it’s little wonder the kids are all still mad on ‘Rumours’ for its open messiness and hostilities. In an age that’s obsessed with the tea and all the various ingredients, it’s refreshing to
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As we kinda expected, Rosalia’s new single is not one for the dancefloor. That’s not a criticism – more a statement of fact. Heavy orchestral business, very grand and will surely be a curtain dropper at any shows, it features Bjork and Yves Tumour too! The upcoming album is called ‘LUX’ and, as we previously
STOP HOARDING TUNES
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GAIKA SLAPS THE PIÑATA
GAIKA – UK electronic music’s hybrid of Basquiat and Prince (no pressure, Gaika) – has a new track out called ‘PIÑATA’ on Big Dada. Always super interesting and often defying categorisation (hence the Basquiat/Prince thing just now) there’s a new LP due in September called ‘Drift’. The new track was made alongside Kidä and is…
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FALL OUT BOY TAKE ON BILLY JOEL // COME BACK, THERE’S A ZINGER!
Fall Out Boy have covered Billy Joel and they’ve updated the lyrics. WAIT WHAT! HOW DARE THEY etc etc. Listen, we geddit. And we’re no fans of Fall Out Boy per se, but wait a minute, wait a minute, wait a minute. This is kinda daft fun, and you need to hear Pete Wentz out…
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TEENAGE FANCLUB ARE BACK AND SOUND JUST LIKE TEENAGE FANCLUB
You may have read that headline and thought we were poking fun at the Teenage Fanclub, but rest assured, if everything makes all feel well in the world, it’s the Teenage Fanclub making Teenage Fanclubby music. They have a new song out called ‘Tired Of Being Alone’ and it’s got Teenage Fanclub guitars, Teenage Fanclub…
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THE STORY OF KING CURTIS
To many, King Curtis is the emotional saxophone at the start of Withnail & I, as his take on ‘A Whiter Shade Of Pale’ drifts over the two unfortunate souls in ’60s London. To others, he’s the blistering sound that made Aretha’s ‘Respect’ pop so hard, as well as ‘Yakety Yak’ by The Coasters and…
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