The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

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What’s the deal here? A music blog, being launched in a time when blogging is absolutely dead, especially trying to cover music? What’s the point in that? Well, call it a labour of love. Call it foolhardiness. Call it what you want, but the chances of this making any money is basically nil, and thankfully,…
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Aug 2

REVIEW // AVA ROCHA / NEKTAR

It’s poor form to liken a new artist to a legend straight off the bat, but there’s a wriggling, unescapable something about Ava Rocha that reminds us of Gal Costa. Gal, is of course, one of the most legendary artists to come out of Brazil and the Tropicalia movement, so no pressure Ava. However, while…
Aug 1

REVIEW // APHEX TWIN / BLACKBOX LIFE RECORDER

Aphex Twin, we’re happy to say, is at it again. Even though he’s not been especially prolific with sensible, mainstreamish releases, he’s been quite busy with a number of lung busting, eye frying shows around the world. Of course, there’s a been a slew of things released for the ultra-dedicated. Like what? Well, devotees will…
Aug 1

CITY POP // Hiroshi Nagai SOUND BURGER

Hiroshi Nagai is the man who you may have seen the work of on a number of City Pop releases – for the uninitiated, that’s the cool ’70s and ’80s Japanese pop music that’s impossibly sophisticated; a bit like Yacht Rock with a smidge of disco and jazz fusion. Nagai’s work is synonymous with Japanese…
Aug 1

REVIEW // TRAVIS SCOTT // UTOPIA

2023 has been a lean year for big time, platinum plated releases, and with the fact that there’s been a sore lack of number ones for the most competitive genre on the planet (after all, hip hop is a contact sport), Travis Scott is here to generate the fuss. And is there much fuss to…

THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.

POP CULTURE IS WORTH TALKING ABOUT.

CONTACT: HOWDYPOPCORPSATGMAILDOTCOM