
You may know Jehnny Beth from Savages, but now, we’re dealing with a solo record which goes by the name of ‘High Resolution Sadness’, and it is absolutely brutal and needs to be played loud enough to leak out of your headphones on the bus. This is from Beth’s second solo album, ‘You Heartbreaker, You’, which is

What do you do when you’ve amassed an adoring, fevered set of fans and you need to occasionally tell them off? It’s something we’ve seen with Chappell Roan, and so too, with Ethel Cain, who is an underground sensation, now gently bursting overground. Before you even get to the music, you’re aware that there’s been

There’s something very wholesome and pure about Saint Etienne. That’s not to say they’re weedy nerds or anything, but their love of pop is an admirable thing, so the mere mention of them makes you feel all gooey, and that’s to be celebrated. So with that, they’ve shared a new song called ‘Take Me To

One of the most infectious, dancefloor exploding tracks of the ’90s was the irresistible and utterly immense ‘Jump N Shout’ by Basement Jaxx, headed up by the irrepressible Slarta John who made the song erupt with energy and joy. Sadly, Slarta John – real name Mark James – has passed away, as confirmed by Basement

Everyone was scrabbling around looking for a password so they could hear Hayley Williams’ new music, we found it, nearly published it before it transpired that she’d removed all the music from her website. What a palaver. Well, good news is that she’s officially released the 17 songs for everyone to hear so we don’t

Honestly, if a group is dubbed ‘post punk’, there’s a good chance we’ll swerve it as we’re over it already. However, there’s no denying there’s some cool bands that have been called such things, and we’ve got a new track from Ganser which is very good indeed. From Chicago, they’ve got a new song called

The comeback of country music has been fun and all, but we’ve found ourselves wishing someone would remember the weirder, louder, garage punk elements of it – think of all those old, fantastic, sleazy records that lie between rockabilly, early rock ‘n’ roll, and booty shakers. Well, Manchester group HONK remember, and they have an

K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…

‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…

Tina Weymouth’s group, Talking Heads, are coming back of a fashion. ‘Stop Making Sense’ – the iconic live movie – will return to theatres in 2023 with a newly restored 4K version, so it’ll look real pretty. It’s from A24 if you care about such details. Also, a Deluxe Edition of the film soundtrack will…

Cult faves Drugdealer have been sneaking out new tracks over the past few months, and the project is still steeped in that glorious ’70s sound that they’ve peddled before. However, in a nicely surprising turn of events, this new one – ‘Lip Service’ – veers away from the smoothness and sounds a bit more pub-punk,…
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