
Caoilfhionn Rose is one of the most original and brilliant voices in modern acid folk, and her newest track ‘Rainfall’ feels like just the tonic for a cure to the wintertime blues. It’s a shimmering, hazy, psychedelic slice of loveliness and, for anyone who has heard her music before, that will come as no surprise…

The amount of non-English performers making waves worldwide is incredibly satisfying to see, because frankly, it’s weird to only listen to music you understand the words of. You telling us that everyone could understand the opening verse of ‘Geno’ when it first came out? Behave yourselves. Anyway, let’s have a listen to the new one…

The Gossip are coming back, the Strokes and Yeah Yeah Yeahs rubbed shoulders with LCD Soundsystem on the ‘Meet Me In The Bathroom’ documentary, and it’s all well and good and it’s encouraging to see a load of loud, fun music making a comeback. However, we’re much more interested in a revival of skuzzy, super…

Frank Farian’s impact on pop music is so enormous, it’s hard to fully comprehend it’s scope. And yet, Farian is not a household name despite being responsible for over 850 million record sales. Born in post-war Germany, Farian had a go at his own pop career, covering ‘Mr Pitiful’ and landing a hit with a…

When it comes to music from the 1960s, there’s a wealth of artists that are mentioned, but not nearly enough, is praise for perhaps the greatest girl group of them all – the Shangri Las. Rebellious, street-tuff, but importantly, emotional and spoke of the realities of being young women. The talk of the shock of…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…

If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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