
When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the…

It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link…

With the internet, rolling news and 360 deals demanding so much of our attention currently, it seems there’s been a reevaluation of ambient music, new age, and pastoral jazz. Keeping that in mind, the lovely people over at Light In The Attic have reissued an absolute gem in Pete Jolly’s legendary ‘Seasons’ LP. This falls…

Iron Maiden are funny aren’t they? They’re real ale metal. It’s all little England flirting with Satan rock ‘n’ roll. There’s a place for it, obviously, but did you know just how much lead singer Bruce Dickinson cares about asthma? Now, for the uninitiated, Brucie Baby is the kind of rock ‘n’ roller that a…

Warpaint are ace. They’re psychedelic and groovy and don’t make any bad records. To celebrate 20 years together, they’ve put out a new song called ‘Common Blue’ which is as wonderful as ever. This is classic Warpaint, if you’re wondering and being a bit of a drag. Sidenote: Warpaint have the best drummer on the planet…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…

If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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