The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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For people of a certain age, it’s always bad news when the things of their youth become ‘retro’. However, with that, comes an appreciation of the things we loved from the past. As subscription fatigue takes hold with the global youth, the Wild West of the old internet looks appealing once more. The premise of
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The Orielles are back, and that’s great news. They’ve announced a new LP which will be their fourth, called ‘Only You Left’. You’ll be able to hear the whole thing on March 13th, but of course, there’s a new song to tide you over. The new song is a heavy, psychedelic affair – a touch
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In a pop age where everyone is dropping cryptic messages and leaving trails of breadcrumbs and codes for fans to pore over, it’s little wonder the kids are all still mad on ‘Rumours’ for its open messiness and hostilities. In an age that’s obsessed with the tea and all the various ingredients, it’s refreshing to
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As we kinda expected, Rosalia’s new single is not one for the dancefloor. That’s not a criticism – more a statement of fact. Heavy orchestral business, very grand and will surely be a curtain dropper at any shows, it features Bjork and Yves Tumour too! The upcoming album is called ‘LUX’ and, as we previously
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Have you seen ’65 show where a bunch of The Beatles contemporaries perform the music of the group? Hosted by Lennon and McCartney, offbeat humour, fun stage design and barnstorming performances from Lulu, our Cilla, Marianne Faithfull, the boys themselves, and more, this was broadcast just two weeks after ‘Rubber Soul’. Not too shabby eh?
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You may be aware that Tortoise have a new album out in November – the first in almost a decade – but add to this, a new record from Tortoise-related group Pullman. That’s their first in TWENTY FIVE YEARS! Some wait, that. The last albums were ‘Turnstiles & Junkpiles’ and ‘(viewfinder)’, the latter in 2001
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BICEP are responsible for a number of big sweaty dance tracks and they’re at it again with a new collab with Eliza, which obviously, you can hear below or else why would we be writing about it, right? Hailing from Northern Ireland if you’re updating your files, the pair have announced ‘CHROMA 000’ which is a
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Spotify’s flirtation with authoritarian politics continues. It started with creaming money off the success of Rogan’s podcast, it continued with the news that founder Daniel Ek was using everyone’s money to fund AI in drones for war, and now, ICE recruitment. A number of artists have been pulling their music off the platform, and some
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If you’ve got a pair of Clarks and love the occasional camping holiday in the South of France, you are probably a fan of the mighty Tunng. Folkie in a non-cringe, authentic way. Acid folk for fun drop-out mums and dads. Well, there’s a new Tunng single out called ‘Anoraks’. Sam Genders says: “One of
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Never mind the podcasts and tabloid stuff – we’re a music blog and we’re focusing on that, thank you very much. And the news is that Lily Allen has announced that she’s releasing a new album after some years away from the scene. The new record will be her fifth and called ‘West End Girl’
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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