The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
-
Nardwuar might just be the nicest interviewer on the planet, with his deep dives and enthusiasm paired with his DIY aesthetic. He’s been at it for years and you wish him all the luck in the world as he scratches around record shops and basement shows, as well as interviewing some of music’s biggest names.
-
Nightlife is changing in the UK, and not for the better. Everything being more expensive is hurting businesses and customers alike, resulting in fewer people wanting to go out, and ultimately, it’s our sense of community and literal togetherness is lost. Another legend is closing their doors as G-A-Y in Soho have said that it
-
When you’re fully in the lore of standom, every utterance from your favourite artist is either an in-joke, or breadcrumbs to follow for some deeper meaning. And that’s where we’re at with the stratospherically successful Taylor Swift who, in terms of ticket sales and hit records, can basically do no wrong. However, what if you’re
-
If you thought the response from White America was bad after Kendrick’s Super Bowl halftime show, just wait until Bad Bunny does his set at the next one in February. Of course, Bad Bunny announced a world tour, and featured no shows in mainland USA, and has said that – rightly – he’d fear for
-
Chet Baker’s gentle jazz has endured all these years because it still sounds so cool, so smart, and a melancholy salve in chaotic times. With that, we’d like to share this clip from 1964, where Baker and his band offer a superb reading of ‘Time After Time’. You’ll notice Chet has a prominent tooth missing.
-
Magdalena Bay’s ‘Imaginal Disk’ taught po-faced indie kids that pop music was cool again, and mercifully, the album was an absolute treat for anyone who listened to it, existing pop fan or otherwise. Great news then, that the duo are back with a brace of new songs. The first is called ‘Second Sleep’, the second
-
Forget the comebacks of Blur, Suede, Oasis et al – the greatest rock group of the ’90s (and beyond) are coming back – it’s SUPER FURRY ANIMAL TIME! There’s going to be gigs and fizzy solos, head-melting synths and everything you love about SFA! There’ll also be a reissue of Love Kraft too, which is
-
Hannah Jadagu’s a new name to us, but is signed to Sub Pop, which is usually a sign of quality enough to be checking out. Hannah has a new LP coming out soon called ‘Describe’, and you can hear a great new song from it called ‘Gimme Time’, which is an ear-wormy, synthy, soulful thing
-
It’s a bad look when you’re recognising Palestine as a state one minute, but overseeing a system of law that’s trying someone who has been a vocal champion of that same place and the people within it. That’s what’s going down with the UK government and various politicians, who are looking at the terror charges
-
House music is, for the most part, all about the hypnotic swing and MDMA enhancing repetitiveness, maybe with a little vocal hook to keep you singing along. Sometimes however, when House is given the due care and attention it deserves, it can sound like the most expensive thing in the world, with luxurious, modern production,
STOP HOARDING TUNES
-
REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
-
SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
-
IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
-
ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
Search for a Topic
Categories
- 10 SONGS WITH
- BEGINNER GUIDE
- CHECK THE HARD DRIVE
- COOL STUFF
- HERE'S A COOL SONG
- MIXES
- MOVIES
- NEW TUNES
- NEWS
- NOT MUSIC
- OPINION
- REAPPRAISAL CORNER
- REVIEWS
- WE FORGOT TO TAG THIS
Posted Recently
Submissions
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
CHAT
POP CULTURE IS WORTH TALKING ABOUT.
CONTACT: HOWDYPOPCORPSATGMAILDOTCOM
The Pop Corporation 