The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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The trap sound has, regrettably, started sounding a bit old hat, leaving young rappers looking elsewhere for inspo. And so, to Redveil, who has a new one out which is a swirly, classic soul sampling track which reminds us of cool Stones Throw stuff from the early ’00s and an echo of Dilla too. A
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You may or may not have heard of Infinite Coles, but you’ll have heard of their dad. Coles is the child of the Wu Tang’s Ghostface Killah, and they’ve dropped new music which address the relationship between the two. Coles is gay and it seems there’s tension between the two, and mercifully for us music
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Madonna is returning to dance music, as it has been announced that she’s returning to Warner Records, and notably, coming at us with ‘Confessions Of A Dance Floor Part 2’, which should be out in 2026. Madonna and dance music is a marriage made in heaven, and if she’s going to help bring back French house
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Brian Eno’s Together for Palestine benefit played out at London’s Wembley Arena, and sincerely, the whole thing felt very similar to the rallies and shows that called for the release of Nelson Mandela during South Africa’s apartheid. During the gathering, there were a number of powerful speakers and performances, and after the show, Massive Attack announced they
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The Charlatans have always been billed as ‘survivors’, which is fair but belies the group’s ability to shift with the times. While a lot of groups quickly (and understandably) fall into nostalgia, The Charlatans insatiable need to keep their ears open has seen them endure. So with that, a new LP is on the horizon,
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There’s a new maxim doing the rounds which, once you read it, you can’t really unsee it, and points to why piracy is back. “If streaming isn’t ownership, then piracy isn’t theft.” Piracy went away for a while, with Spotify and Netflix seemingly being the two silver bullets that solved the problem of stealing content.
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Such is the music created by French producer Malibu, that critics get all poetic trying to capture the magic of her music. You’ll hear ‘ethereal’ and the like, because Malibu doesn’t make conventional music – but it sure is gorgeous. Malibu has announced her debut LP which will go by the name of ‘Vanities’, and
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When you see Thundercat paired up with a popstar, you might assume it’s going to be a slinky R&B number with a rubbery bassline. Not so. Thundercat has teamed up with Remi Wolf for an absolutely batshit piece of jazz fusion that’s… and this is no surprise really… absolutely irresistible. Who else is this well
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We haven’t heard of Stella Donnelly before, but it kinda doesn’t matter when you find someone, as long as you find ’em, right? And we tripped over this cute new video by Stella thanks to the YouTube algorithm. Algorithms – they’re useful occasionally, irritatingly. The track is called ‘Feel it Change’ and available everywhere you
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There’s been something of a reappraisal of the Style Council over the years, which has been really nice to see. Paul Weller’s post-Jam output is up there with his best work, there’s no doubt about that. With that, Universal Music are going to release some limited edition records, namely with a series of three limited
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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