
David Byrne is one of those artists that, to his legions of devotees, defies criticism. There’s a few artists like that, who when mentioned, people get that faraway look in their eyes and simply won’t hear anything said against them. It must be a nice place to be, if you’re David Byrne (although you worry

Andrew Weatherall’s passing left a hole in clubland that we’re still trying to fill. While there may not be another, we’ll always have the music. And now, Weatherall’s first official posthumous mix. This is apparently the only back-to-back set DJ Harvey ever agreed to, and we get the pair playing uplifting, cosmic chuggers for your

Fans of Bruce Springsteen have been having kittens about the news of an expanded ‘Nebraska’ and now the word is out about what that actually means, and we’ve got the full tracklisting and all that good stuff. This Autumn, there’ll be a five-disc box set with loads of stuff that no-one’s heard before and more.

There’s been some palaver about Will Smith using AI to make a show of his look more fun than it apparently was, and while the whole thing is magnificently unimportant in the scheme of things, it did seem a bit fishy. Not to worry though, because while Smith hasn’t spoken about these accusations, he has

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…

If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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