
We’ve spotted a great book that you’ll want or will start dropping heavy hints in the run-up to Christmas – it’s called ‘Acid House As It Happened’ and its a beautiful document of the boom of rave that happened in the late ’80s. By Dave Swindells, it’s filled with photos from Future and Shoom taken…

Check this great sounding thing out – there’s a new documentary called ‘Since Yesterday: The Untold Story of Scotland’s Girl Bands’, which will look at some of the all-female groups that have come from Scotland over the last half a century. Of course, Scotland has had loads of great groups and many of them sorely…

Willie Nelson’s career has been a broad and interesting one, so maybe we shouldn’t be surprised that at 91 years young, he’s decided to release a cover version of The Flaming Lips’ ‘Do You Realize?’ from ‘Yoshimi Battles the Pink Robots’. That’s exactly what’s happened in the lead-up to his release of ‘Last Leaf on…

We’re pretty excited about the new album from Fievel Is Glauque. Their mix of ’60s jazz pop and gonzo psychedelic electronics is a thing that makes our ears fizz with excitement! They’ve got a brand new song out called ‘Love Weapon’ and it is out right now on Fat Possum. Obviously, it’ll feature on the…

The other day, we wrote a long piece worrying about the notion that the new one from Liam Gallagher and John Squire being actually half decent. Well, the single is out now and, like most of these hand-wringing things, it might have all been a waste of time. It might not, mind. Have a listen…

The Lemon Twigs didn’t much around in 2024, getting a new song out at 1 second past midnight, and handily, it’s a good one! Following up from the ace ‘Everything Harmony’ LP, they’re pushing on with harmonies, jangles and power pop with a track called ‘My Golden Years’. Have a listen.

We all know Eurovision defies logic – that’s why we love it. Australia have been entering songs recently, which of course, meant that sniffy Suede fans who only take notice of pop music twice a year (to be ‘above’ Eurovision, and to complain about how much of it is on the Glastonbury coverage) were out…

Obviously, you can like a band and not be keen on their fans. Very much the case with the gentle psychedelic heads who feel a bit intimidated by the casuals who follow The Stone Roses. All that mysticism and flanged, swirling guitars, all with cans of Stella Artois lobbed at it. It’s a strange mix…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
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