The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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We’re not really into the whole post-punk, long anorak, well-read indie music stuff on these pages. We’re not saying that it is a bad thing, rather, just letting you know that with these things, we’re an unreliable source. And so to Black Midi who were the darlings of lads in cherry red Doc Martens, gloomy…
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Funny what people turn into films these days. The latest to surprise us (not unpleasantly, mind) is the movie about indie slacker kings, Pavement. It is called ‘Pavements’ and directed by Alex Ross Perry who we don’t know, but we’re going to assume they love a trucker cap and a plaid shirt and some beat…
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In record collector circles, Dorothy Carter is a big ticket and her ‘Troubadour’ LP is the stuff of legend. Originally released back in 1976, it was a pioneering and unique work and linked up folk with other-worldly avant-garde behaviours. It’s a wild and beautiful body of work. She studied formally before finding herself in a…
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Be With Records are one of the best in the business and wonderfully, they’ve reached 10 years of releasing great records old and new. To celebrate this, they’re releasing a book and album and there’s a lot of cool names attached to it too! You can now pre-order the ‘Joyride’ LP and the ‘Labour Of…
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Very few of us are immune to a blast of breezy, pure pop. Or is it power pop? Whatever it is, we were very pleasantly surprised to find that Haircut 100 had returned with Nick Heyward and pals, with a new track called ‘The Unloving Plum’. With some very lovely horns, jangly guitars and loads…
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Look. We get it. It’s nigh on impossible to get people to get people to talk and read about music. And this is not a boring hit job on the sensation that is Taylor Swift – she’s musically fine, and all. But c’mon. Do we need this?
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When the world finds itself in dark times, art responds in a number of ways – one of the valuable replies to the horror of it all is the chance to escape. Lately, there’s been a number of great songs and albums that deal in dissolving your troubles away or living in pursuit of pleasure.…
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Ashley Beedle’s involvement with X-Press 2, being namechecked in Daft Punk’s ‘Teachers’, sending Elton John’s ‘Are You Ready For Love?’ to number one, and decades of wonderful, rafters rattling DJ sets means that no-one should be in any doubt that he’s one of the legends of dance music. And when a legend needs your help,…
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Aged 52, Danielle Moore the lead singer of Crazy P, has sadly died. Moore’s cause of death has not been shared, and honestly, it’s not our business so we shall do our best to celebrate her life. In a statement posted to Instagram, her fellow bandmates wrote, “We cannot believe the news ourselves and we…
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Pop’s best You Can’t Sit With Us pair, Coco + Clair Clair are back with a new album after dropping the achingly cool ‘Aggy’ [listen here] which cements their place as one of the more unique acts to hail from Atlanta. With their to-the-minute slang, they’re snarking again and saying “delulu” and, while those would…
STOP HOARDING TUNES
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WE MIGHT HAVE WRITTEN ALL THAT FOR NO REASON
The other day, we wrote a long piece worrying about the notion that the new one from Liam Gallagher and John Squire being actually half decent. Well, the single is out now and, like most of these hand-wringing things, it might have all been a waste of time. It might not, mind. Have a listen…
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THE LEMON TWIGS HOT OUT THE GATE
The Lemon Twigs didn’t much around in 2024, getting a new song out at 1 second past midnight, and handily, it’s a good one! Following up from the ace ‘Everything Harmony’ LP, they’re pushing on with harmonies, jangles and power pop with a track called ‘My Golden Years’. Have a listen.
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EUROVISION 24 / CARIBBEAN + ISRAEL
We all know Eurovision defies logic – that’s why we love it. Australia have been entering songs recently, which of course, meant that sniffy Suede fans who only take notice of pop music twice a year (to be ‘above’ Eurovision, and to complain about how much of it is on the Glastonbury coverage) were out…
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SQUIRE + LIAM / WHAT IF IT’S GOOD?
Obviously, you can like a band and not be keen on their fans. Very much the case with the gentle psychedelic heads who feel a bit intimidated by the casuals who follow The Stone Roses. All that mysticism and flanged, swirling guitars, all with cans of Stella Artois lobbed at it. It’s a strange mix…
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